There’s been nothing like the Hipoglote podcast / interview series run by Tiago Swabl out of Portugal. It’s had 200 editions covering the history, and the current state, of sound poetry. I had the chance to chat to Tiago a few years ago for an edition, then in the summer of 2020 produce a special program discussing the way I got into sound poetry, and covering a full decade of work. Tiago has got a radio show now and Hipoglote has come to an end after 200 editions, please listen to the final show which features lots of clips from his guests. https://www.mixcloud.com/Hipoglote/200o-hipoglote-_a2h-43_2020-12-27_-o-%C3%A9ter-%C3%A9-aqui-ao-lado/
A note on : 10 years of sound poetry - HIPOGLOTE podcast
This is something I’m really happy with - a podcast in the remarkable HIPOGLOTE series, thanks entirely to the amazing Tiago Swabl - which recounts my ten years in sound poetry this year, 2010 to 2020. A unique audio document, I was invited to provide performances and commentary explaining my path though the noise poems as part of their Carte Blanche series.
It traces my first steps as part of the post Bob Cobbing Writers Forum, my early improvised vocalisation work with Ben Morris and Dylan Nyoukis and at the British Museum, then my travels around Europe working with Zuzana Husarova and Maja Jantar amongst others, then my Soundings project with Wellcome Library, my participation in the Palais de Tokyo sound poetry retrospective and works with British artists I admire like Nathan Walker and the legendary Phil Minton. All this with brand new works made for the show, loads of solo works I’ve dug out of my archive and cover versions of Cobbing and bp nichol, also new for this ambitious hour.
It’s pleasing to not only have had the invitation, but to have Tiago’s editorial assistance (he did it all!) in making this document. It succinctly looks back on so much work I’ve found myself doing in a field which has always intimidated / excited me and it’s made me realise things, in making this summation, that had escaped me. More than anything, it’s made me realise I want to do more sound poetry. https://www.mixcloud.com/Hipoglote/183o-hipoglote_2020-08-17_-carte-blanche_-steven-j-fowler/
Published: an interview with HIPOGLOTE
This was really fun, i had a blast chatting with portuguese sound poetry achivers / activists / investigators tiago swabl and nuno nevers who have been part of the Hipoglote interview series for 87 issues, up to mine. Everytime I get asked to mark my contribution to sound poetry is feels special, as I do feel a sense of great respect for those who created and lead the practise, it's always something on the frontline, and to be a little part of it, and to be recognised as such in europe, means something special
Nuno and Tiago have created a great route in to discussing sonic and sound poetry, with some brilliant conversations in the past. we got on like a house on fire, really a privilege to be part of the project for me, we chatted about loads of stuff, and they seemed to enjoy my notion that sound poetry is what we do the moment we are born and in the last moments before we die
listen in here https://www.mixcloud.com/Hipoglote/87o-hipoglote_2018-06-18_interview_-steven-j-fowler/