A note on: Performing at York Literature Festival

An exceptionally resonant time in York, thanks to the hospitality and curation of Kim Campanello, York St John University and the York Literature Festival. I love the city, having visited a lot as a kid, with viking familial roots, in the stink of the Jorvik centre, and having been there just months before for the NXNW tour. This time just Antony Dunn and I performing at a showcase event, the audience was amazing, the students brilliant, the whole impact of the event rare and memorable. There was a sense of juxtaposition in the event, between Antony as a poet in the lyrical tradition and me in the more experimental, but that proved not be conflicting but generative. Similar people with slightly different experiences and tastes in poetry. It created something valuable, something to riff off against. Antony was brilliant to watch read and to chat with in the Q&A, and I thoroughly enjoyed auctioneering for the first time, as well as book eating for perhaps the third. 

They collected some feedback from the audience, quite enjoyable to read.

'Fantastic event, thoroughly enjoyed'
'Loved the contrasting styles'
'Polar different takes on poetry and yet shared values'
'Love Dunn's poetry about the everyday and Fowler's combining of words and other media'
'Brilliant to witness these poets up close and their eclectic personalities. Very inspiring.'
'Performative nature of both poets was eccentric and exciting'
'Cheered me up!'
'I got a free poem [he didn't eat the whole book].'
'Didn't like book-eating, but appreciated SJF's reason given for eating book.'
'Perfect pairing of poets'
'Brought to life the poetry and contextualised it within the world'

A note on: South West Poetry Tour - St Ives, Falmouth, Dartington

For latest blogs on the tour visit www.stevenjfowler.com/southwest 

A collaborative poetry tour of Cornwall, Devon and Somerset spread over a week in August 2016. A project I co-curated with Camilla Nelson, bringing over 70 poets together over 5 nights, the first Enemies project style tour I've done in England, writing new works every night with core poets JR Carpenter, John Hall, Matti Spence, Annabel Banks and Camilla herself.  It was a memorable week, a return to old places and friends, and the beginning of new ventures. For much more information and documentation visithttp://www.theenemiesproject.com/southwest

St Ives - August 1st 2016

I was born in Cornwall, in Truro, and I grew up as a small child in Newquay. This was the first reading I'd ever given in the county and the first time I had been back since I was a teenager. St Ives, famous for its artistic community, welcomed us with torrential rain. Annabel Banks drove me from London, picking up other poets on the way, for a rare and joyful road trip south. We arrived at night, nearly ten hours on the road, and accommodation famously being at a premium in one of the UK's summer tourism hotspots, I jumped out of the car in a dark lane to enter a property called the hobbit hole, which was a shed with a bed in a garden. Actually quite fun to live, briefly, like a hobbit.

The reading itself was held at the Barbara Hepworth museum, and supported by Tate St Ives. I was told afterwards that we were in the very room in which Barbara Hepworth died of smoke inhalation. Surrounded by her sculptures, it was an unforgettable space to read within. I met many poets for the first time, some after long correspondence, met the core touring poets as a group for the first time, and had the great pleasure to read with John Hall. His work has been influential on my own ever since I began to trace the line of my own interests back through British poetry to the 60s and before. He published his first book in 1968, and his rare poise, presence and judgement as a poet and a person was great to share, if briefly, as we read our piece in such a special room. I tried simply to follow his rhythm, his play with silence and pause and I felt very comfortable in that space, almost not like a reading for me, closer to a performance of reading.

St Ives provided a fascinating beginning to the tour, quite intense in a strange way - the weather, the tourists, sleeping in a shed, bombarded with new faces and hearing new poetry and being responsible for that. Already a sense that things are moving quickly, picking up steam, switching modes to performance and travel, and to start this near the very foot of the country, to work north, as feels natural to me.

Falmouth - August 2nd 2016

A journey across Cornwall, weather lightening, energy rising, travelling with Camilla, a remarkable poet and immensely organised and responsible as a co-curator. Luxurious accommodation too, with a landlady who even came to the reading and insisted on baking me vegan cookies. We were housed at The Poly for the event, with young, helpful, accommodating staff. And I got to work with Matti Spence, a fascinating and generous man, a fine poet. I first met him after he returned to London from some years away in Australia and after he had studied a UEA. Completely assured and singular, while being essentially warm hearted, Matti is a peer to learn from. We wrote a poem I was very happy with and decided then to turn it performatively, breaking the fourth wall, and using the assumed context of the reading against the audience, in a light-hearted way. A lovely touch for me was that my old friend and collaborator Thomas Duggan attended, his studio being deep in the Cornish countryside, and I hugged him mid reading. Everyone seemed lifted by the event, the format of collaboration once again creating ties and bonding people from different scenes and styles. 

Dartington - August 3rd 2016

Back into Devon, driving up with Camilla and Matti, skirting Dartmoor, crossing the Tamar, heading to Schumacher College, near where I grew up as a teenager in Exeter. Another strange return, but realising on the tour that it isn't a return when the company and purpose is utterly new. And in Dartington it felt the most fresh, like I had not been to this part of England before. This is perhaps because Schumacher College is so unique, set apart in the countryside, an ecosystem unto itself. Staying in dorms too, cells, made the experience feel really embedded and somehow enclosed. This was a remarkable evening of poetry too, a full house again, with some brilliant collaborations highlighting an evening that felt complete, energised, memorable. It was inevitable the lineage of Dartington College of Arts would cast a spell on the reading, and so many in the room had ties to that institution (more here on that), and multi-disciplinary practise and performance art was a key feature of the collaborations. 

Collaborating with JR Carpenter was a blast. We took a text she had generated with her computer, basically three simple phrases and then, introducing ourselves with a little bit of water pouring, on theme, used repetition to build an improvisational structure. I love this kind of work, completely open, free and high pressured. It requires time and expertise to do well, and can be a dud on the wrong night. This wasn't, it flowed, as we leaned into each other, swaying slightly, the clear purpose of the work was well expressed, well received and seemed all the more satisfying to me because in a way, it was a small work, miniature and light. It represented the moment, it was of the space, and very much a product of the tour.

We finished the evening in the White Hart, where Dartington College of Art, before it's merger with Falmouth University in 2010, held many events, many long nights. I sat with John Hall, who taught at the institution for 34 years, and he told me of the poets who had read in the room and the history of the place. It felt a very special privilege to hear that from him and to imagine our event as a small, brief, resurgence of that tradition in the area.

A note on: The University Camarade - April 23rd

A wonderful, positive evening with new collaborations from student, and inherently young, poets, from six universities across the UK. I decided to curate this event for multiple reasons - to show that collaboration is immensely helpful for the development of young poets (into interesting directions anyway), to show that creative writing programs deserve more respect for the quality they can produce, to get past the supposed 'competition' between creative writing departments and to begin to inculcate communities between young writers, or at the very least, to make them feel there are communities out there for them, that people do want to hear and value their more innovative ideas.

The works on display were genuinely brilliant, across the board, the event had been taken so seriously by all 20 poets. Everyone felt it had a been a grand success and will likely happen again www.theenemiesproject.com/unicamarade

2016 so far: Beijing, Buenos Aires, Tractography & more

A rundown of recent publications, programmes, projects and performances from 2016 so far. 

Commission: BBC Radio 3’s The Verb
The Worm in its Core was commissioned as a new poem / performance by Radio 3's The Verb in response to Hearing the Voice - a project which explores, and demystifies auditory verbal hallucinations. www.stevenjfowler.com/theverb

Commission: Forumstadtpark Graz - Glory Hole
Manners Maketh Man was commissioned by the Forumstadtpark in Graz as part of their public art series Glory Hole, projected onto a screen in the city centre.  http://www.stevenjfowler.com/blog/gloryhole

Buenos Aires: Enemigos with El Tercer Lugar
One of the most extraordinary Enemies Projects so far, a week of collaborations and performances in Argentina; new collaborations with Julián López, Anahí Mallol, Camilo Sanchez, Leonce Lupette & Patrick Coyle. http://www.stevenjfowler.com/argentina

Beijing: CCTSS Conference & Festival
A poetry readings held in Beijing to mark the Chinese Culture Translation and Studies Support (CCTSS) global literary conference featuring poets from across the world http://www.stevenjfowler.com/beijing

Tractography, published by Pyramid Editions
A limited edition pamphlet of 50, the first of a new series of poems exploring neuroscience.

Forty Feet, published by Knives Forks & Spoons press
A new collaborative poetry collection written with David Berridge, 40 Feet is a poem in dialogue. 40 poems as 40 moments, 40 fragments, 40 conversation starters / enders. http://www.stevenjfowler.com/40feet

The Night-Time Economy Exhibition in Newport
A new collaborative exhibition in Newport with the photographer Kate Mercer, images & poetry exploring the often fractious energy of Newport's nightlife http://www.theenemiesproject.com/nighttimeeconomy

Lexicon: performance at Marsden Woo Gallery
Responding to the work of artist and sculptor Alida Sayer at the remarkable London gallery Marsden Woo http://www.theenemiesproject.com/lexicon

StAnza Festival
One of the UK's principle poetry festivals, a great week reading, talking, curating and collaborating in St.Andrews http://www.stevenjfowler.com/stanza

Cyprus: The Iskele Poetry Festival
A memorable week in Northern Cyprus reading at the 18th Iskele-Kibatek poetry festival http://www.stevenjfowler.com/iskele

The English PEN Modern Literature Festival
An amazing experience curating nearly 30 authors responding with new works to writers-at-risk supported by English PEN. http://www.theenemiesproject.com/englishpen Including my poems and performance for Khadija Ismayilova and appearing on BBC Azeri world service.

Reykjavik, The Library of Water and Ovinir: Icelandic Enemies
Ambitious Enemies Project collaborations in Iceland, a new self-drowning performance in the Library of Water in Stykkishólmur, and a remarkable London reading to a nearly 200 strong crowd. http://www.stevenjfowler.com/iceland

Kakania at Austrian Cultural Forum
A symposium and six new commissions at the Austrian Cultural Forum – contemporary artists responding to figures of Habsburg Vienna. All performances and my own on the great Robert Musil.

The Essex Book Festival
Great to curate a Camarade with 18 poets and one family performing new works for the day, from the Colchester area & beyond. http://www.theenemiesproject.com/essex Including my collaboration with David Berridge

& new poetry has appeared in Gorse magazine, Poetry Wales, Karawa (new translations into German), Poems in Which, Black Market Review, Country Music, For Every Year and Wazogate. Thanks to all the editors. And to everyone who has read this far down. Happy Springtime to you all, Steven

A note on: The StAnza Poetry Festival 2016 - Diary & Documention

StAnza is one of the UK’s principal poetry festivals, respected around the world, and drawing in a really admirable range of poets and events and audiences. I was very pleased then, having had many friends attend and perform, to be part of the festival in 2016, and could not have been better treated or had a better time sharing my work through readings, performances, discussions and workshops. 

I have a page that explains my participation with a Festival Diary, pictures and videos:
www.stevenjfowler.com/stanza

A note on: The Enemies Project - Spring Programme 2016

The Enemies Project Spring Programme 2016 includes Icelandic, Argentinian and Georgian Enemies projects, Camarade events in Essex and St.Andrews, the return of Kakania in London and Berlin, a collaborative exhibition in Newport, a collaborative event involving five Universities and a one day festival celebrating English PEN and their writers-at-risk project. http://www.theenemiesproject.com/springprogram16/ 

January Sat 30th: Ovinir: an Icelandic Enemies project in London
Rich Mix Arts Centre : 7.30pm : Free entrance
Óvinir brings together two generations of Icelandic poets and writers to the UK to premiere brand new collaborations with British poets following events in Iceland. A unique chance to see some of the most interesting performers in Europe, feat. Valgerður Þóroddsdóttir & Jack Underwood, Eiríkur Örn Nörðdahl & Hannah Silva, Joanna Walsh & Andri Snær Magnason, Ásta Fanney Sigurðardóttir, Inua Ellams, Vahni Capildeo & more. http://www.theenemiesproject.com/iceland

February 3rd to 10th: The Enemies Project: Argentina
The Enemies project in Buenos Aires; an embedded collaborative program between a host of poets from Argentina and the UK, writing brand new collaborations over nearly a week in the Argentinian capital. Featuring Julián López, Anahí Mallol, Camilo Sanchez, Patrick Coyle & more. Co-curated by Flavia Daniela Pittella. www.theenemiesproject.com/argentina

February 29th: Respites: Wellcome Collection - London
Respites is a carefully curated series of day-long gatherings, exploring ideas and activities about rest, pleasure, contentedness, critical thinking and creativity. It is aimed at being a generative and respectful series of engagements with people who need and deserve more respite than they receive. Respites is curated by Ayesha Nathoo, Lynne Friedli and Steven J. Fowler, and is supported by, and part of, the Hubbub group, in residence at Wellcome Collection. http://www.theenemiesproject.com/respites

March Saturday 5th: The StanZa Camarade – St.Andrews
http://stanzapoetry.org/festival/events/stanza-camarade-performance
Camarade Workshop - 13:00 - 16:00 (The Town Hall, Queens Gardens - Upstairs Foyer) followed by the performance 15:55 - 16:10 in the Supper Room
The StAnza Camarade will see new collaborations written by poets both attending and participating in the festival, and a collaborative workshop beforehand. The StAnza festival are pleased to offer the opportunity to take part in the workshop and performance for a small group of attendees. Anyone who would like to participate in the project should email a short biography to stanza@stanzapoetry.org. http://www.theenemiesproject.com/stanza

March Sunday 20th: The Essex Camarade – Colchester
at the First Site Gallery - 1pm to 3.30pm - Free Entrance
Commissioned by the Essex Book Festival, this Camarade will see a series of brand new collaborations written by poets in pairs, from the Essex area or attending the festival especially. Feat. James Davies & Philip Terry, Vicki Weitz & Isabella Martin. Anna Townley & Lawrence Bradby, Jeff Hilson & Tim Atkins & more. http://www.theenemiesproject.com/essex

March Thursday 31st: Kakania at the Austrian Cultural Forum: London
Kakania returns to London after five extraordinary events in 2015, and two unique publications. Contemporary artists present new literary performance commissions, each responding to a figure of the Habsburg Era. www.kakania.co.uk (date to be confirmed)

April Saturday 2nd: The English PEN Modern Literature Festival
Over 30 contemporary English writers present works new works, each in tribute to a writer who is part of the English PEN Writer's at Risk programme, writers living under oppression around the world. The one day festival takes at Rich Mix, 2pm onwards, in 3 sessions throughout the day. All are free to attend but attendees are encouraged to join English PEN. Feat. Mark Ravenhill, Caroline Bergvall, Sam Winston, Emily Berry, Emily Critchley & many more. http://www.theenemiesproject.com/englishpen

April Thursday 7th: The Night-Time Economy: an exhibition, Newport
The Riverfront Theatre & Arts Centre: Newport. 7.30pm. A collaborative exhibition of photography and poetry from Kate Mercer and SJ Fowler exploring the often violent environment of Newport's nightclubs and pubs. This special view event will feature readings and is supported by Arts Council Wales and Poetry Wales. The exhibition runs for three weeks. http://www.theenemiesproject.com/nighttimeeconomy

April Saturday 23rd: The University Camarade
Entrance is free. 7.30pm doors for 8pm start http://www.richmix.org.uk/
The University Camarade will present over 10 new collaborative works, premiered on the night, written by pairs of young poets, all of whom are undertaking study in Creative Writing departments at five different UK Universities including Kingston, Glasgow, Edge Hill, York St John. http://www.theenemiesproject.com/unicamarade

May Monday 9th: Kakania in Berlin
8pm at Österreichisches Kulturforum Berlin
Kakania debuts in Berlin, with new literary performance commissions from contemporary artists, each of whom will present a work that celebrates / responds to a figure from the Habsburg era. Featuring Max Höfler on Ludwig Wittgenstein, Maja Jantar on Lou Andreas Salome, Stephen Emmerson on Rainer Maria Rilke, Tomomi Adachi on Paul Wittgenstein, Ernesto Estrella on Gustav Mahler and Ann Cotten on Otto Neurath. http://theenemiesproject.com/kakaniaberlin

May Saturday 14th: The Enemies Project: Switzerland for European Literature Night
A night of new collaborations celebrating contemporary European poetry at Rich Mix, with a cohort of Swiss poets collaborating with British counterparts, amongst others. The event is part of the wider European Literature Night celebrations.

May 16th to 21st: Mtrebi: a Georgian Enemies project in Tbilisi
An Enemies Project in Tbilisi, three British poets visit the Georgian capital to create new collaborations with local writers. Feat. Luke Kennard, Sarah Howe & more. Co-curated by Davit Gabunia.

Supported by UNESCO Reykjavik City of Literature, The British Council, Norwich Writer's Centre, International Literature Showcase Fund, El Tercer Lugar, The StanZa festival, The Essex Book Festival, English PEN, Arts Council Wales, Austrian Cultural Forum London, Österreichisches Kulturforum Berlin, University of Kingston, Glasgow, Edge Hill and York St. Johns, Rich Mix & more.

www.theenemiesproject.com

A note on: performance videos from Soundings I & III, with Emma Bennett and Maja Jantar

Two highlights of 2015, amazing performers and artists both Emma and Maja. So excited I get to do 7 more of these collaborations in 2016 with the help of the Hubbub group in residence at Wellcome Collection and Wellcome Library www.stevenfowler.com/soundings

Upcoming: Four events - aWwW / EVP / Globe Road / Soundings

Nov 13th: A World Without Words IV
Nov 14th: Electronic Voice Phenomena
Nov 15th: Globe Road Festival Walking Tour
Nov 18th: Soundings III

November Friday 13th - A World without Words IV at the Frontline Club: 7pm
The fourth event in the series exploring neuroscience, aphasia, the brain and language, this time at the incredible Frontline Club. With a talk by Professor Barry Smith and the screening of a series of anthropological short films from Vincent Moon. Curated by Lotje Sodderland, Thomas Duggan and I. http://www.frontlineclub.com/screening-and-discussion-a-world-without-words/

November Saturday 14th - EVP Sessions at Shoreditch Town Hall: 8pm
Electronic Voice Phenomena hits London once again, I'll be presenting a new commission in full skeleton embodiment, exploring disembodied voice and death http://shoreditchtownhall.com/theatre-performance/whats-on/event/theEVPsessions

November Sunday 15th - Globe Road walking tour for the Globe Road Festival: 11am
A Sunday morning stroll up Globe Road in the company of Gareth Evans, Elaine Mitchener and the Bohman brothers, all of whom will present brand new performance commissions related to the road itself, finishing with a reading in York Hall with Stephen Watts, Richard Scott and Jonathan Mann www.theenemiesproject.com/globeroad

November Wednesday 18th - Soundings III with Maja Jantar at St Johns on Bethnal Green: 7pm A collaboration with the incomparable Maja Jantar for a new sound poetry / avant-garde music performance as part of the Soundings project with Hubbub at Wellcome Collection responding to prompts from the Wellcome Library. St Johns on Bethnal Green, an early 19th-century church, is an amazing venue too. www.stevenjfowler.com/soundings

Upcoming: November 2015 - Events, Performances & Projects

My 'A Language Art' course runs on Monday nights throughout November with sesssions exploring the intersections of avant-garde poetry and modern art in the galleries of Tate Modern and in the Tate stores.

November Wednesday 4th - Pugilistica at Apiary Studios
A chance for me to launch my book Fights, in it's 2nd edition from Veer Books, alongside some amazing journalists, novelists, poets and art historians, all exploring the literature of boxing. www.theenemiesproject.com/pugilistica

November Thursday 5th - Mondo: global avant-garde poetry at Poetry School
A new course at the Poetry School, this time exploring avant-garde movements from Japan, Nigeria, Canada, Brazil and Syria / Iraq. Still a place or two left! Book here

November Friday 6th - Symposium: Pulling Together/Pulling Apart: Forces in Creative Collaboration, OVADA, Oxford
Thanks to artists Brook and Black, I'll have the chance to discuss collaboration at OVADA, alongside Tamarin Norwood and others http://www.ovada.org.uk/arkitektoniske-kramper/

November Saturday 7th - Nemici: an Italian Enemies project at the Rich Mix
A really ambitious Enemies project I'm curating with ten Italian artists and poets visiting London, each writing new collaborations with British poets. I'll be presenting a new work with Alessandro Burbank. Should be special www.theenemiesproject.com/nemici

November Friday 13th - A World without Words IV at the Frontline Club
The fourth event in the series curated by Lotje Sodderland, Thomas Duggan and myself, exploring neuroscience, aphasia, the brain and art, this time at the incredible Frontline Club. With a talk by Barry Smith and anthropological short films from Vincent Moon. http://www.frontlineclub.com/screening-and-discussion-a-world-without-words/

November Saturday 14th - EVP Sessions at Shoreditch Town Hall
Electronic Voice Phenomena hits London once again, I'll be presenting a new commission in full skeleton embodiment, exploring disembodied voice http://shoreditchtownhall.com/theatre-performance/whats-on/event/theEVPsessions

November Sunday 15th - Globe Road walking tour for the Globe Road Festival
Happy to be leading a Sunday morning stroll up Globe Road in the company of Gareth Evans, Elaine Mitchener and the Bohman brothers www.theenemiesproject.com/globeroad

November Wednesday 18th - Soundings III with Maja Jantar at St Johns on Bethnal Green
So excited to collaborate with the incredible Maja Jantar for a new performance as part of the Soundings project with Hubbub at Wellcome Collection responding to prompts from the Wellcome Library. St Johns on Bethnal Green is an amazing venue too. www.stevenjfowler.com/soundings

November Friday 20th - The European Camarade at Freeword Centre
A mini festival of European poetry in collaboration, so pleased to have the chance to curate this night and present a new collaboration with Endre Ruset. Some of these poets are doing the most exciting work in their nations, not to be missed www.theenemiesproject.com/europeancamarade

Upcoming: Soundings - a project with Hubbub & Wellcome Library

Soundings is a series of collaborative performances I will be presenting from August 2015 to October 2016, in conjunction with Hubbub and the Wellcome Library. There will be ten editions, each in a different location in and around London, each with a different collaborator.www.stevenjfowler.com/soundings

Soundings

Each edition of Soundings will begin with Wellcome library staff raiding the library's extensive collection to suggest items, including images, manuscripts and books, in response to a title inspired by the Hubbub's research strands and initiated by Hubbub curators. These prompts will form the basis for the public performances of sound poetry, sonic art or conceptual performance, devised each time by myself and my collaborator. Collaborators include Emma Bennett, Dylan Nyoukis, Maja Jantar, Patrick Coyle, Sharon Gal, Tamarin Norwood and James Wilkes, with more to be announced.

Hubbub are the first residents of The Hub at Wellcome Collection, an international team of scientists, humanists, artists, clinicians, public health experts, broadcasters and public engagement professionals. We explore the dynamics of rest, noise, tumult, activity and work, as they operate in mental health, neuroscience, the arts and the everyday. I'm fortunate to be part of this extraordinary enterprise, as a poet and artist in residence, and you can read more about my work with Hubbub here: www.stevenjfowler.com/hubbubor www.hubbubgroup.org 

Soundings #1: August 18th
at Camley Street Natural Park
with Emma Bennett
Time: 1pm – 2pm (12 Camley Street, London N1C 4PW). Free entrance.
www.hubbubgroup.org/soundings

Soundings #2: September 4th 
at Wellcome Collection Late
with Dylan Nyoukis
Time: 19.40 and 21.30 (183 Euston Road, London NW1 2BE). Free Entrance 
www.wellcomecollection.org/events/friday-late-spectacular-hubbub

Soundings #3: November 18th
at St Johns on Bethnal Green
with Maja Jantar
Time: 8pm to 9pm (200 Cambridge Heath Road. London E2 9PA). Free Entrance.
www.stjohnonbethnalgreen.org

Drawing Breath: an installation at St John, Bethnal Green

Very happy to be a part of drawing breath, an installation which explores representations and interpretations of 'Air' in the belfry and gallery at St John on Bethnal Green, London E2 9PA

EVENTS
Thursday 7th May    6.30 - 9pm Opening event - pay bar.    (First Thursday) 
Saturday 16th May  6.30 - 9pm Closing event - pay bar  7.15 - Dance performance  7.45 Jenny Chamarette 'in conversation' 
Open:  May 8th, 9th,10th, 14th, 15th  1-5pm 

'Elemental Dialogues - Air' is a practice-led research project. It explores what happens when the short film Air is handed over to a network of poets /writers, sound artists/musicians, and scholars, with the original soundtrack removed. Each contributor then produces an interpretation of Air, through their own diverse practice. These interpretations are then re-embedded into the film, creating new, pluridisciplinary artworks, each of which tells a different and sometimes radically unexpected story.

Contributing writers and composers: Briony Bennet, Tami Haaland, Joan McGavin, SJ Fowler, Owen Lowery, Kate Koning, Brian Evans-Jones, Marcus Slease, Angela Rawlings, Sachiko Murakami, Steve Kemper, Abby Wollston, Tara Stuckey, Howard Moody, Jan Hendrickse, Sebastiane Hegarty, Aaron D'Sa, Deepak Venkateshvaran, Howard Moody, Stephen Emmerson

visit www.talkthinkmake.wordpress.com for information about the project and the artists. www.annacady.com www.elementaldialogues.co.uk

Archive interview at British Library / Seminar interview at St Martins college

Two ephemeral and pleasurable things I've done in the last week, intertwined with two powerful powerful friends / peers. First I stopped off at the British library to speak at length with Hannah Silva, who is working with the BL archives to conduct research into performance in 21st British poetry and other such things. Though it's uncomfortable at times, putting into words my own approaches to work, so much of which is deliberately kept expressionistic and instinctual, for lack of time, and for a desire to keep rooting things in their experience of being made, rather than their result (believing the latter will emerge from the former, if done right, without too much of a heavy editorial hand), the process is undoubtedly good for me. If only to realise where I am heading, and why that is happening. We also chatted more widely about performance poetry, and my dislike of it. Hannah is such a remarkable performer, and she has such possession of her ideas, it makes working with her in any capacity a beneficial experience. The interview will be in the library's records until the end of the world apparently.

Then later in the week I was part of a seminar series for undegrads at St Martins, taught by Diane Silverthorne, whose amazing work Ive got to know over the last few years and who has become a friend and great influence on my reading and dwarfish erudition. We chatted through my root into poetry, and then art performance in front of around 40 students, most of whom were impeccably dressed (St Martins is like a fashion show, so beyond being a trendy enclave, its become something bizarrely retrograde in its futurism. It is often like walking through a successful genetic experiment, some benign social engineering program, where only beautiful and attractive young beings mope about concrete stairwells) and possibly interested, though it was hard to tell until I spoke to them. I talked about audience participation, nearly forced them to participate, then showed some vids of my boxing performances. It was again a funny experience, one where I learned something by being forced to waffle about what I do and am trying to do. The people were lovely, very gentle with me. And it always feels a privilege to be inside an institution like this, if only for a day, to watch multitudes try and inculcate creativity. It also doesn't hurt to realise how old I have become.

Fight Music & Silk

A week of seeing my work thrown back at me in forms that utterly supersede my perception of its initial value. First I got to sit anonymously in St Lukes in Old st. and see the work of Philip Venables crescendo with our piece the Revenge of Miguel Cotto. It's been said before but Phili's ability to set music and text is truly groundbreaking and it was such a lovely moment to see our work appear so dynamic and valuable, it made me feel a poet, though Id normally eschew or ignore that feeling. Quite rightly the concert was a laudable success for Phil, whose application to his craft is intimidating. I hope we get to further Cotto. It was a nice audience to be in too, friendly and erudite and I took the time to chat to people afterwards, asking their opinion of Cotto without telling them I was involved in it. All good. Richard Baker conducted the balls off it too.

Then I had the joy of seeing my old friend Thomas Duggan before he jetted off again, and took possession of our work for the Hardy Tree Enemies exhibition. The glory of the work is not that is utterly unique, made of a material never seen in public before, that it is technologically trailblazing, the future of biodegradable material and has world significance in that, and that it probably cost a fucking packet, but that it is aesthetically so understated it appears before one as a jelly film on black, unassuming and gentle. People will walk past it in the gallery, such is its precision. Little will they know what they are walking past. So precious is it that a framer turned down setting the material, for fear of destroying it. For if water touches the silk, it disappears.

London Symphony Orchestra is playing my soundpoetry boxingopera on June 30th

http://lsosoundhub.co.uk/blog/2013/05/24/fight-music/ Just thinking about it, on June 30th the London Symphony Orchestra will play my soundpoetry boxing opera, that I wrote / warped for the true author of the piece the composer Phillip Venables, at St Lukes in Old St. I've walked past that building so much. Now this piece will have been played by the London Sinfonietta and the London Symphony Orchestra. Mind blowing for me. Everyone can go for free, just have to email. St Lukes is another amazing space of London I am wrapping my memory tendrils around. 

Pictures from EVP in Liverpool

http://www.peterguy.merseyblogs.co.uk/2013/05/electronic-voice-phenomena-fea-1.html

Pictures from EVP in Liverpool. The same site also published a review of the show, which was rightly glowing about Hannah Silva and Honor Favin, and included this snippet "The evening was compered by London-based poet SJ Fowler (main image), who through a series of vignettes attempted to channel a retching spiritualist's progressive decline into suicidal despair. While amusing, and Fowler has obvious talent and performance skills, it was impossible to banish images of Derek Acorah from my mind (albeit during his little documented laudanum phase), and although thematically relevant, we found it hard to understand how the piece contributed to the promised exploration." An amazing link, Acorah is the kind of underground avantgarde television personality whose authenticity I often have felt I am aping on this tour.
http://www.peterguy.merseyblogs.co.uk/2013/05/electronic-voice-phenomena-fea.html