A note on: reading boxing poems at Cambridge University

A resonant experience on multiple levels, I had the chance to read at Cambridge Uni thanks to Oliver Goldstein and his Sweet Science event in the Faculty of English. It was another entry in my experience of a small, welcoming community of writers and poets who care passionately about the sport and aim to reflect it in works as complex as the culture itself. Oliver is one of the world's leading boxing journalists and really fine poet, and as well he and I, there were multiple excellent readers and a really healthy and interested audience. Discerning you'd expect, but friendly with it too. I read some poems from an upcoming book, a sequel to my 2011 Fights, entitled Rematches, due out with Kingston University Press this year. I also got the chance to pop a balloon with a left hook. 

Perhaps the most unexpected highlight was meeting a cambridge english undergrad who told me they were doing their dissertation on my work. A first, as far as I know, and actually really warming and encouraging, it actually really touched me. It's very easy to feel one is wasting time, serving my own interests and no one gives a shit (which is true) but then a small thing like that happens, and you feel less in a bubble.

A note on: my Neurocantos poems in Rebecca Kamen's exhibition in Virginia

One of the most generous collaborative relationships of my last year in writing and correspondence, Rebecca Kamen is a groundbreaking artist and scientist. Very generously she has included poems from my Neurocantos series into her latest exhibition, poems based on her correspondence to me as founding text that formed the base of a sequence of works. 

You can read more about the Continuum exhibition below, at the Reston Arts Centre in Virginia. The exhibition runs from December 1st 2015 to February 13th 2016. http://restonarts.org/exhibition/rebecca-kamen-continuum-2/ 

As part of continuum, two editions of prints of the Neurocantos are included in the exhibition program, framed for display.  Alongside the exhibition's primary sculptural elements, there is also a soundscape, created by Susan Alexjander which involves my reading from the text and a series of 3 moving poem fragments as video projections from 2 of the Neurocantos poems alongside a Cajal quote. You can my intro in the exhibition catalogue below.

The NeuroCantos has also been part of Rebecca's presentation at an international neuroscience symposium, honoring the legacy of Santiago Ramon y Cajal  at National Institute of Health on November 4th 2015.  

a World without Words at Apiary Studios was wonderful

The premiere event of a World without Words was an extraordinary night, well over one hundred people crammed into Apiary Studios in Hackney to watch six presentations from neuroscientists and artists from around the world. What really emerged from a night of big ideas and great personal passion, was how much the unique format we had aimed to provide appealed to both the speakers and the audience. The presentations were not centred about the sharing of knowledge, but of personal passion, and experience, and how the former came through the latter. The event was not one of provocation but curiosity. Lotje Sodderland, Noah Hutton, Ben Ehrlich, Harry Man, Malinda McPherson and Nick Ryan all found their journey into the human brain and our ability to wield language in different ways - through pain and illness, through study and discipline, through travel and creativity, yet they all shared an open, inviting, discursive evening where everyone left with more than they had a few hours before. It was also, what I had already known, a real joy to share the curating with Thomas Duggan and Lotje, we all seem to compliment each other and the process couldn't have been more gratifying. Four more events to come this year... www.aworldwithoutwords.com

Animal Drum : a cinepoem collaboration with Joshua Alexander

ANIMAL DRUM from Josh Alexander on Vimeo.
JOSHUA ALEXANDER & SJ FOWLER

ANIMAL DRUM is a short, conceptual poetic film about disease, menial work and the remnants of the British Empire. It was born out of a collaboration between two fellow and former employees of a major British Museum institution, and draws on shared experiences of the potential, and actual, vapidity of assumptions of improvement and beneficial pedagogy in such institutions, as well as shared negative experiences of a vast, global tourist deluge. In that sense, the film was born mutually, conceived by the two artists at the same time, and created without much dialogue yet with a certain sense of synchronicity.
Animal Drum calls on the miserabalist, absurdist traditions of post-war European avant garde theatre and poetry. By employing the red herring of the Comedia Dell Arte ‘plague doctor’ mask, as a juxtaposition to the glossed over friendliness of a contemporary ‘happy’ urban landscape it invokes deliberate absurdity in its visuals as well as its text. It is London shot, environment specific and includes performance footage from the Science Museum late where SJ Fowler was invited to create a new work in response to the Exponential Horn installation.
Animal Drum is the first in a series of films that explore the sad, macabre, abstract threat of contemporary London culture and psychological geography.

Performing at the Science Museum

I took Josh Alexander, the filmmaker, my friend, along to this strange evening at the Science Museum. He and I are going to make a film/poem together. He is quite brilliant, and wonderful company, very dry, very gentle mannered. We were kindly invited by the equally wonderful Sophie Mayer, as I am part of her anthology (ed with Sarah Crewe) called Glitter as a gender, which was being celebrated as part of a Late Night opening at the museum, about sex. I performed in front of the amazing Exponential Horn installation. A massive 30 foot amplification horn. In a dark room. It was an atmosphere of speed dating and champers in the museum, and I went on at 7, so the people were in and out, of staying and going, and of listening. I wore a Plague Doctor mask and a hoodie. I mumbled some weird stuff about speed dating in between humming like Glenn Gould. I got told off for shouting into the horn. No one really listened to me. All the better, perhaps, as Josh filmed me, they seemed not to know I was performing, and slouched, undefended as I went on. Josh and I both work in a museum. The event briefing we had to attend early on, with its false happiness and energy and air of strange bovine threat lingered in the strange ursine nature of my performance. This will be a night that gives something for the film, but weird to live in. Nice to be asked though.

Petrarch & this summer's events

Please join us on June 28^th at the Rich Mix Arts Centre for an exploration of the work of the poet Tim Atkins and the launch of his collected Petrarch from Crater press. The entirety of one of the most remarkable poetic projects of our era will be brought together for the first time in a 400 page book, as we take a rare chance to celebrate one of the most brilliant and generous living British vanguard poets in Tim Atkins. http://www.craterpress.co.uk/

The reading will feature well over a dozen poets reading from Tim’s Petrarch works, including Peter Jaeger, Philip Terry, Andrea Brady, Marcus Slease and Jeff Hilson, and the man itself of course. http://www.richmix.org.uk/whats-on/event/petrarch--a-celebration-of-tim-atkins/

& if anyone's kind enough to come …

 June 5^th: I’ll be performing and conducting workshops in Riga, Latvia for the Totaldobze projecthttp://www.totaldobze.com/ curated by Kaspars Lielgalvis, followed by readings in Vilnius and Talinn, in a minitour of the Baltic.

June 16^th: For the Generative Constraints Committee via Royal Holloway, I’ll be performing / speaking about violence (& poetry) at the CC4C http://creative-collaboration.net/ in Kings X, alongside Sasha Roseneil, chaired by Prudence Chamberlain, in an evening called 'About the Stand-Off’ from 6.30pm.

June 20^th: I’ll be speaking about the Enemies project before reading in the evening at the Midsummer Poetry Festival in Sheffield. http://www.midsummerpoetryfestival.co.uk/ 6.30pm onwards

June 24^th: For the remarkable Translation Games project I’ll be leading workshops with Ricarda Vidal on transmedia translation at the Guildhall school, Barbican, as part of the Cultural Capital Exchange conferencehttp://translationgames.net/?page_id=346

June 25^th: As part of the Science Museum’s amazing Exponential Horn installation, I’ll be performing a new conceptual / soundart / noise piece at the Museum, to be recorded by Resonance FM & the BBC. 7pm onwards.http://www.sciencemuseum.org.uk/exponentialhorn

June 26^th: I’ll be reading at the Bookart bookshop in Old St. London, http://www.bookartbookshop.com/ to celebrate the incredible POW series edited by Antonio Claudio Carvalho, which was recently completed. Lots more info on the series here by Chris McCabe http://chris-mccabe.blogspot.co.uk/2014/04/pow-final-series-perrone-melville-vas.html 7pm onwards

June 27^th: I’ll be reading as part of the BAMS international Modernism now! conference, at the CC4C introducing & reading from the modernist poets who have influenced my work http://www.ies.sas.ac.uk/events/ies-conferences/ModernismNowThe program is called ‘Make it Now: A Modernist Reading by Four Contemporary Poets’ and begins at 7.30pm.

 

July 3^rd: Very happy to be curating a celebration of the great Czech avant garde writer Bohumil Hrabal through the Czech Centre London, at the Horse Hospital in Bloomsbury, which will feature brand new commissions from Zoe Skoulding, Sarah Kelly, Stephen Emmerson, Marcus Slease, Tom Jenks & others. More to come. http://www.thehorsehospital.com/

July 9^th to 17^th: Auld Enemies – a cross nation collaboration, a tour of Scotland with six poets writing in rolling pairs and inviting locals to Camarade – Dundee, Glasgow, Edinburgh, Aberdeen, Orkneys, Shetland. Much more to come… Supported by Creative Scotland.

July 26^th: Auld Enemies in London. At the Rich Mix Arts Centre a collaborative poetic celebration of Scottish contemporary experimental poetry and the events and works of the Auld Enemies tour. http://www.richmix.org.uk/whats-on/event/auld-enemies--the-enemies-project-scottish-poetry/

August 7^th: At the Whitechapel gallery, I'll be performing my short story MueuM, which was up for the white review prize this year, readable here http://www.thewhitereview.org/fiction/mueum/ alongside Holly Pester, Kristen Kreider and Patrick Coyle.