A note on: footage from Milosz festival with Tom Jenks & Weronika Lewandowska

Beautiful to have this footage from a great collaboration in Krakow this past June. Performance art, video art, poetry, theatre, it was a grand pleasure making the work with Tom and Weronika. For more info www.stevenjfowler.com/krakow

A note on: My Century / Mój wiek' at the Miłosz Festival June 2016: Krakow

An amazing few days in Krakow to attend and present a brand new commissioned collaborative performance for the Miłosz Festival, thanks to the brilliant curator Justyna Jochym. The project came about thanks to the International Literature Showcase Fund and I was able to work with Tom Jenks and Weronika Lewandowska on the piece, which was a multi-part experimental response to the book My Century / Mój wiek, essentially a massive interview Czesław Miłosz conducted with Aleksandr Wat at the end of his life.

The book has been a favourite of mine for a very long time, I found it so extraordinary when I first came across it, learnt so much about the Polish avant-garde, Polish political history and developed such a powerful respect for Wat, his work and his character, that this opportunity, to connect to the Milosz Festival, was a perfect way to express my feeling that the work should get more attention.

I've written a whole webpage dedicated to the trip with detailed travelogue. Please visit http://www.stevenjfowler.com/krakow

The Rest is Noise is over! my talk on British 21st century poetry

The rest is noise festival is over. I've been pretty lucky to be involved, considering my lack of erudition and learnedness next to those who have also been teaching and lecturing and so forth. Im not being overmodest either, events with Tom Service, Gillian Moore, Diane Silverthorne, Sophie Mayer, Tony Benn, Harvey Cohen, world renowned educators have been punctuated with discussions with artists like Steve Reich and John Adams etc... This last event I was involved in, this past thursday, was a study evening, and I was alongside Mark Titchner, the remarkable artist and Gillian Moore, who is the head of music at the Southbank. It was, like all the study evenings, really mesmerising listening to others speak, as the environment is unique, they are allowed to speak to what they truly find engaging and tend to be very passionate and original. I waffled about 21st British poetry and stealing huge swathes from others ideas, talked about capitalism and the internet. I took a shit recording of it below. A lovely way to end a great year of lecturing and teaching in a really amazing program, Ive cut my teeth on it. http://therestisnoise.southbankcentre.co.uk/#1