A note on : Reading at Torriano, a first chunk from my new book on the brain and prescription drugs

O significant to me for two reasons

  • The first time I’ve read from my new book, I WILL SHOW YOU THE LIFE OF THE MIND (ON PRESCRIPTION DRUGS) out next Feb 2020 from Dostoyevsky Wannabe and a real effort for me to combine my interests in the brain and a poetry fiction text illustration hybrid method Ive been thinking on for ages

  • This doc represents I hope, its a mini doc, the authenticity and sincerity of the lovely intimate readings in London embodied by the Torriano Meeting House which has been going for so many years.

Published : Myth of the Mole with Max Porter in Poetry

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The October 2019 issue of Poetry Magazine features my collaborative prose poem written with Max Porter, Myth of the Mole.

https://www.poetryfoundation.org/poetrymagazine/poems/150930/myth-of-the-mole

I say mole, I mean Sharpe, Sean Bean as Sharpe, I mean people are dying while you go full-bore Cockerhoop. I mean it wasn’t like that when I was around, when I was younger. I mean a certain kind of touch, of look. I mean a freedom pass. I mean blindness to the estate. I mean, have you been in prisons, lately? They don’t really. I mean you aren’t talking of who fixes what you’re using?

I mean an acre of English ground, a sugarcoated Dacre homeward bound.

I say mole I mean Yarl’s Wood and all who work there who will never get to any heaven English or heathen
.”

There’s an audio recording available free online too, of Max and I reading the poem https://www.poetryfoundation.org/podcasts/151173/myth-of-the-mole

This has all been a joy for me. To work with Max, who couldn’t be more as generous and lovely as he is talented, and recognised for that unusual talent unusually, but also because of how Poetry Magazine have treated me / us. They arranged for us to record the poem together, they offered a remarkable level of editorial attention. They are just really so respectful and caring of the work and the poets.

A link to the whole issue here https://www.poetryfoundation.org/poetrymagazine/issue/150912/october-2019

A note on : Writers' Centre Kingston programme 2019 / 2020

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I’m very lucky to be direct of of Writers' Centre Kingston, Kingston University's unique literary cultural centre. In the next academic year over ten events will take place in Kingston, Surbiton and central London aimed at giving Kingston Uni students and staff, and people living locally, and outside visitors,, a chance to witness readings and performances by lots of remarkable contemporary writers.

Visit https://www.writerscentrekingston.com/ to find out more details.

Events include our annual English PEN celebration, our Museum of Futures visual literature exhibition, the Nordic and European poetry festivals, and themed events on Memento Mori, Literary Health and Delusions of Grandeur. Venues ranges from Kingston Uni to The Rose Theatre to Rich Mix. Should be a grand year.

A note on : Not going to Slovakia, collaborating with Zuzana Husarova

So I curated a brilliant Camarade event in the LIKE Festival, Kosice, Slovakia, that I didn’t go to. I didn’t go because wizzair delayed my flight for 10 hours and I missed the event. In my stead, my friends and poets ran the event without me, apparently to grand success. www.europeanpoetryfestival.com/slovakia

I was going to collaborate live with the amazing Zuzana Husarova. We prepared some audio which we going to play over a physical performance that I wont detail in case we do it again. But Zuzana performed in our stead, powerfully, as ever, and then played the audio, as captured in this video. I feel, watching it, celebrated.

Coming soon - NEMESES, my selected collaborations 2014-2019

I am inordinately pleased with this book, because of its ambition, and for what it stands for. It includes dozens of collaborations over five years, stretches to near 300 pages, full of text and image - poems, fiction, plays, performances, scores, film stills, photography, musical representation. Much more coming about the book, but for now, it can be pre-ordered https://www.haverthorn.com/books/nemeses-selected-collaborations-of-sj-fowler-volume-2 and it’ll be launched first at St Johns on Bethnal Green on Saturday 26th of October, 7pm, with myself and 10 of my collaborators.

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A note on : Korean Cultural Centre discussion event on Hye Soon Kim

I’m chuffed to be chairing this as Autobiography of Death is amazing https://kccuk.org.uk/en/programmes/korean-literature-nights/autobiography-death-hye-soon-kim/

The Korean Literature Night (KLN) is a monthly discussion group that explores various themes and topics relating to that month’s chosen book. We will read the poem 'Autobiography of Death' by Hye-Soon Kim .

Event Date: Wednesday 23 October 7-9pm = Venue: Korean Cultural Centre UK

Available Seats: 15 / Entrance Free - Booking Essential / Apply to info@kccuk.org.uk or call 020 7004 2600 with your name and contact details.

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The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death―how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.

About the Author- Hye-Soon Kim Hye-Soon Kim, born in 1955, is one of the most prominent and influential contemporary poets of South Korea. She was the first woman poet to receive the prestigious Kim Su-yong and Midang awards, and has been translated into Chinese, French, German, Japanese, Spanish, and Swedish. Her most recent books include I'm OK, I'm Pig! and Poor Love Machine.


A note on : my hero, Laszlo Moholy Nagy : October 16th performance

It’s hard to stress how happy I am to have been asked to do this event, LMN is one of my heroes for so many reasons. Come along http://www.london.balassiintezet.hu/en/events/current-events/1484-hungarian-lit-night-moholy-nagy-in-britain/

Hungarian Lit Night: Moholy-Nagy in Britain IMMERSIVE BOOK LAUNCH 16 October, 7pm
Hungarian Cultural Centre 10 Maiden Lane, London WC2E 7NA

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Join us for an immersive book launch! Valeria Carullo introduces her new book; Moholy-Nagy in Britain accompanied by interactive performances by Steven J Fowler to take the experience to a whole new level. One of the most innovative artists and thinkers of the first half of the 20th century, László Moholy-Nagy (1895-1946) emigrated to Britain after the forced closure of the Bauhaus, following his colleague Walter Gropius. Freshly published, Valeria Carullo's book examines the two years he spent in Britain in the mid-1930s before moving on to the United States - two intense years filled with commissions, collaborations, opportunities, disappointments, artistic exchanges and friendship.

Get familiar with Moholy-Nagy's unique perspective at a night of immersive activities. A talk by the author Valeria Carullo will be accompanied by interactive performances by experimental artist Steven J Fowler that take you to a journey into Moholy-Nagy's world.

The event is free, but registration is essential on Eventbrite. / Find out more about the book here.

Published : a Poem Brut poem in PSW's To Call

https://pswgallery.tumblr.com/post/187845513616/tocall-no7-features-work-by-17-poets-and Beautiful to have a handwritten poem / poem brut (from my book http://www.stevenjfowler.com/memmoirs) published in the handmade beauty of Petra Schulze-Wollgast’s To Call zine / journal, edition number 7. Visit http://www.psw.gallery/ and support her work

A note on : Touring the West coast of Norway, a beautiful boat poe, also travelogue

A concentrated poetry tour down the West coast of Norway with over a dozen poets from across Europe and local to the towns being toured. A beautiful, generous, spirited few days, with readings in Alesund and Bergen, with a boat ride between. A creation of the Nordic Poetry Festival almost entirely through the hard work and hospitality of Jon Stale Ritland, Bjorn Vatne, Erlend Nodtvedt and many others. Thanks to them

For videos of every performance and more info check out www.europeanpoetryfestival.com/norway and/or watch this mini doc, and visit www.stevenjfowler.com/norway

September 16th 2019 Flying in late the night before the day, Harry Man and I get to stay with Jon Stale Ritland, our friends, a wonderful poet and a man of golden bones. Ask anyone who has met him ever. A doctor, a tennis player, an embodiment of Norwegian humility, decency and talent. We chat late into the night with him and his lovely family.

September 17th 2019 Harry and I spend the day awaiting the arrival of the other poets in this miniature festival by fighting and exploding. And table tennis. No one wins. We go then to the venue and meet people who are happy to see us. What more can be asked for. Maja Jantar, Christodoulos Makris, David Spittle, Maria Malinovskaya come by from all over, and Hilde Myklebust, Eli Fossdal Waage, Kaisa Aglen too.

An extraordinary evening. It is not possible to discern the strange transitory factors which make an event feel remarkable, nor is it possible to control them. A space can be made for them to happen, and we must’ve done that, for nearly 100 exceptionally attentive people came to Mottaket, the artist led commune gallery in the heart of Alesund, to watch 12 of us read our work. The audience led the poets into really singular readings / performances. Everyone was on. Our host Bjorn Vatne, was so hospitable and charming, he helped shape the aesthetic too, with the space, and the feeling that this was a project which was welcome, in its eccentricity and range.

We are told it’s a grand success immediately, we believe this too. Everyone decamps for a follow up event, a launch of Jon Stale Ritland’s new book. It is packed in a restaurant called Bro. Packed and rewarding and a great launch. We then all eat together, quite high class food and this is all strange and ethereal and dark autumn colours and rain storm outside but talking so easy and serious too.

We don’t go to bed after though. No, we get cabs into a thunderstorm to a big boat. The Hurtigruten. We board and have cabins and snuggle up in the belly of an ocean swell and that’s unusual and really special.

September 18th 2019 The next day the group is like a little family or team if you want me to pull back a bit. We just spend the day together, in the lounges, in the buffets, on deck. We arrive in Bergen, have one hour alone, I go for a jog around Bergen and feel the city is a little more trendy and miss Alesund a bit but its Bergen, so pretty and nice. We are reading collaborations this night, a camarade. And we are in the huge shiny library, thanks to poet and librarian Erlend Nodtvedt. The room is the main café of the library so there is some contextual distraction but that’s a good thing to work with. The audience is a little reticent but a good crowd and I get to work with Dan Aleksander, basically bringing the lord back into these good peoples hearts and I get a chance to eat a croissant which is always nice. Maja Jantar finishes with a choral piece we all noise into and it’s probably freaked the audience out but in a powerfully poetic way.

We finish the diamond duo days in an Ethiopian restaurant and a skybar with injera and hot chocos and every person is genuine and generous and mindful of how lucky we are to do things like this and when they go so well it’s a fulfilling and meaningful nutcase around the scribbling we do. To our Norwegian friends, forever thanks and a glass of water raised up in the air.

Exhibited : My concrete poetry in granite at Åby Library, Aarhus, Denmark

The Danish artist and concrete poet Kamilla Jorgensen https://www.kamillajoergensen.dk/ has just put into stone a new outdoor exhibition in Denmark called Dyresti (Animal Path) for an Aarhus library. It's a path of granite tiles, each tile engraved with concrete poems that have a connection with an animal. Most of the poems are by Danish writers, but she kindly asked me if I’d have my poem #1st Crown of the Hoi Polloi, from my books Fights and the The New Concrete anthology involved. I am blown away by the result, it’s so beautifully rendered. I’m in there with some amazing contemporary concrete poets and the great Christian Morgenstern too.

Published : Greatist Hits II with Harry Man

GREATIST HITS II with Harry Man www.enemiesproject.bigcartel.com/product/greatisthits

A selected collaborative poetry collection like no other. An unlikely and amusing mixture of poetic styles and conceptual approaches from found text in reviews for Aloe Vera juice and Night Vision goggles, to translations of famous classic English poems into the language of dogs. This is a book of beautiful duo poems alongside disturbing letters from poetry superfans.  

Greatists Hits II, at its heart a conceptual, satirical work, evidences the mode of playful experimentation so indicative of a new generation of English European poets, and features sequences written by Man and Fowler on the road between 2014-2019, at festivals including Ledbury, Bjørnsonfestivalen in Molde, 10TAL in Stockholm, and StAnza in St Andrews. 

https://enemiesproject.bigcartel.com/product/greatisthits

Publisher: Kingston University Press Ltd 
ISBN: 9781909362321 
Number of pages: 130 
Weight: 137 g 
Dimensions: 203 x 127 x 7 mm

A note on : Nordic Poetry Festival - October 11th to 17th 2019

www.NordicPoetryFestival.com The first ever NPF in the UK, October 11th to 17th, with over 40 poets performing at 5 events in London, Norwich, York and Kingston-upon-Thames. All events are free to attend and doors at 7pm.

October Friday 11th - Opening of the NPF Exhibition with readings at Burley Fisher Books, London visual poetry by four Nordic poets plus performances on the night and an anthology launch

October Saturday 12th - The Nordic Camarade at Rich Mix, London
The grand event of the festival! 22 poets in 11 pairs present brand new collaborations made especially for this night

October Monday 14th - Nordic Norwich Camarade at the National Centre for Writing Poets from across the Nordic region present new collaborations with writers local to Norwich as part of the NCW’s UNESCO Meet-the-World series 

October Tuesday 15th - Nordic York Camarade at the JORVIK Viking Centre
The home of Nordic history in the UK hosts a night of new collaborations between visiting Nordic poets and York based writers 

October Thursday 17th - Nordic Poetry at Writers’ Centre Kingston
The festival closes at Kingston University with a focus on UK-based Nordic poets. Solo readings and performances at the Museum of Futures 

Published : Lunar Podcast, chatting with David Turner

I do not like my own voice and words but nice to have longform chat with david, and what an achivement this series is

https://soundcloud.com/lunar-poetry-podcasts/ep122-steven-j-fowler-transcript-available

David Turner is in central London talking to experimental poet and artist Steven J Fowler. The pair discuss Steven's approach to writing and editing (or lack of it), whether it helps to sometimes be ignored as a writer and his work as a curator of European and international literature events.

Download a full transcript here: lunarpoetrypodcasts.files.wordpress.com/2019/…r.pdf

Steven is organising the first Nordic Poetry Festival to be held in the UK and will take place 11-17 October 2019 at various venues. For more information go here: www.europeanpoetryfestival.com/nordic

Listen to Steven on the Scaffold Podcast: Scaffoldpodcast – Ep-12-steven-j-fowler

A note on : launching my cinema poems book at the cinema museum of all places

Oo i made a little doc with the reading footages i did this night, have a watch

This was a strange and balmy and beautifully weird night. The venue of the cinema museum is unreal. Truly astonishing, huge, idiosyncratic, architecturally stunning. As ever with launch events it was a small audience of close friends and a few people I didn’t know. All this hidden behind Elephant roundabout. I enjoyed reading this poems though, they are not ugly in my mouth.

I adore peter greenaways work but i shouldve watched the pillow book before i screened it to basically a room of my mates. it has not brought the 90s with it into the present.

A note on : Illuminations for Friederike Mayrocker, warm times

the entire illuminations series has been strong, and furthered my deep ties with austrian poets and the austrian cultural forum in london. this one, the 7th, for the amazing Friederike Mayrocker, was punctuated by an unusually focused, convivial and alert atmosphere, and by five really considerable performances. more info www.theenemiesproject.com/illuminations

i was quite happy with my own performance too, as i came up with it, when someone dropped out (i wasnt supposed to perform) during the night. pure improvisation and warmly received.

A note on : Kickstarter for Lotje Sodderland film I co-wrote

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https://www.kickstarter.com/projects/thehorsefilm/the-horse-a-true-fiction-short-film

About - Loneliness has reached epidemic proportions in the UK, and workplace automation further weakens bonds between people. As the population ages, as more people live alone, people of all ages are at risk from diseases brought on by loneliness and in need of care.

THE STORY 'The Horse' is a 15 minute fiction-documentary hybrid film about Will who takes a new job as a care worker for elders in London. Under-trained and underpaid, Will speeds from home to home on his bicycle, entering hidden worlds to administer care to a delicate but dynamic assortment of elderly men. Spending long, lonely days with an overbearing phone app that monitors his efficiency, he endeavours to make his elderly “service users” his friends. But the job's punishing demands on Will’s time erode his attention, and in a moment of distraction, he makes a dangerous mistake. Throughout ‘The Horse’, the feisty, wheelchair-bound Derrick talks to Will about his desire to visit a horse in a derelict nearby field, but Will doesn’t really listen.

APPROACH Lotje's team are her production company Lief, EP Anthony Austin, producer Charlie Falconer and writer S J Fowler, with poetry by Wojciech Bonowicz. We have been working on this project for over a year for free, because we all have feelings of fondness and heartbreak when we think about our elderly relatives, and consequently, we love this project from the bottom of our hearts.

A note on : an interview with Charlie Baylis

https://theimportanceofbeingaloof.tumblr.com/

Why do you write? Chance discovery that writing was. And then as a job. For meaning in my days, with some guilt and great doubt. For a way of being in the world, in my brief opening in the world, before it closes shut on me and Im dead like everyone else, that is nice and full of mostly good and kind folk. And to pursue problems of the mind and language itself, for the challenge of writing itself, to feel less alienated, when most ways of working and passing time are dominated by people who want things simple comforting sentimental selfrighteous careful cautious. That is saddening and some poetry aint. Good reasons but also stupid. I could do better with my life but Im not hurting anyone really so thats a fine baseline I reckon.

How would you define the relationship between poetry and film? Depends on our definition of the former. If its just a word used as a metaphor and not a concrete artform then whatever anyone wants. If poetry is an actual thing that operates on and through language for spmething other than direct info or emotional confession then the relationship is scant. Film can utilise a kind of poetic cinematic grammar which is very exciting and poetry can explore image realisation without realism. There are filmmaker poets all over but its all a bit tenuous.

What do you feel are the limitations of a poem? All language is fundamentally approximated but that’s good. That’s a beautiful and wondrous grounding with which we can begin to play not only with semantic content and grammatical convention but also with infinite contexts like the unsaid unseen page shape colour neologism sound shape mispelled etc. Poetry is the place we can make new languages and understandings and world codes which are new to each reading ape. Brilliant but limited because of this, because of the limits of knowing other consciousnesses. We cannot know another mind. Poetry is confined only by our mental experience but thats a prison well enough.

Who are you reading/what are you watching? Do you rate the contemporary poetry scene? Is it any better than previous generations? Why? Not reading much poetry. Only books sent to me by friends and connections and publishers as that is a lot / enough and is my job so has its limits, busmans holiday. 

Yep I rate it. Internet has created democracy of access and Im plugged into english translations literally across the globe. The 21st century is the best time ever for poetry. The world population has doubled since 1970s, everyone online and world travel. Amazing time, so much work happening its just the best isnt the famous work in the UK. The most exciting poetry in most countries seems to rise in most nations but not always in England because we can be, on one side, anti intellectual for fear of being elitist, throwing the baby out with the bathwater and trying to be populist for no well investigated reason, maybe straying into being patronising etc, and on the other side, being way too insular academic (?) keepung to coteries and exploring only one furrow of conveyor belting all intelligence and knowledge. But wow when you read I dunno stephen emmerson lucy harvest clarke tom jenks prue chamberlain eley williams karen sandhu ryan ormonde david berridge john catherall chris mccabe astra papachristodoulou jacqueline ennis cole paul hawkins and 100s of others. blows your mind the quality 

and previous generations, who knows, i cannot (yet) travels the times

Do you fear Rihanna’s best work is behind her? I know who she is but I genuinely have no working knowledge of her oeuvre. I saw her not act in luc bessons shite sci fi film with those two models and given how wooden she was I reckon not.

_____________

I Stand Alone by the Devil and other poems on films is out now from Broken Sleep Books

Read 3 of the poems up on Anthropocene.

A note on : Illuminations : Friederike Mayröcker : Sept 11th

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Illuminations VII : celebrating Friederike Mayröcker
September Wednesday 11th 2019 : 7pm at Austrian Cultural Forum, London

Free but booking appreciated here 28 Rutland Gate, Knightsbridge, London SW7 1PQ

With Franziska Füchsl, David Hoffman, Robert Montgomery, Karen Sandhu, Chris McCabe, Victoria Bean and SJ Fowler

Friederike Mayröcker is one of the most important living European poets, and a trailblazer for her deeply complex poetry which not only spans methodological explorations of visual, concrete, sound, postmodern, diaristic and phenomenological poetry, but also for its range of subject matter. She is one of the few poets whose work is challenging complex yet generally popular, though not as she should be in the UK.. She is a recipient of the Buchner prize and lauded across Europe. This event will ask five of the UK’s most considerable innovative, performative and visual poets to respond to her life and work alongside two brilliant visiting writers from Austria. Join us for what should be a unique night of responsive, celebratory readings and performances.
http://www.theenemiesproject.com/illuminations

Illuminations : celebrating modern Austrian writers is a series of innovative events bringing to light, in London, the work of writers fundamental to the unique Austrian contribution to world literature in the post-war era. These events, by commissioning contemporary artists, writers, poets and theatre makers to each make a new work responding to the works or life of the celebrated figure in question, aim to transpose the brilliance of the original into a new moment – one that will stimulate as well as illuminate. Featuring entirely new commissions from a host of artists and writers from Austria, the UK and across Europe.

(Friederike Mayröcker photograph (c) Lukas Dostal)

Published : 3 cinema poems on Anthropocene

https://www.anthropocenepoetry.org/post/3-poems-by-sj-fowler

Coinciding with the release of my new slimline poetry publication I Stand Alone by The Devils and other poems on films, out now from Broken Sleep Books, three poems from the volume have been published on Charlie Baylis’ new online journal, which is shaping up beautifully.

The poems are The Baby of Macon, Satan’s Brew and Nightwatch, and they give a taste of what the booklet is about.