7.30pm at Österreichisches Kulturforum Berlin kulturforum berlin: kulturforumberlin.at
ree Entry - May Monday 9th 2016
Stauffenbergstraße 1, 10785 Berlin. T: +49 30 202 87-114 E: berlin-kf (at) bmeia.gv.at

Very happy to announce that the Kakania project will debut in Berlin, with six new literary performance commissions from contemporary artists, each of whom will present a work that celebrates / responds to a figure from the Habsburg era. The event is free to attend if you're in Berlin, please share with friends in the city if you're not http://www.theenemiesproject.com/kakaniaberlin

Book your place here: http://www.kulturforumberlin.at/veranstaltung/kakania/

Max Höfler on Ludwig Wittgenstein
Maja Jantar on Lou Andreas Salome
Stephen Emmerson on Rainer Maria Rilke
Tomomi Adachi on Josef Matthias Hauer
Ernesto Estrella on Gustav Mahler
Ann Cotten on Otto Neurath

This is the first of two Kakania events that will take place in Berlin in 2016, supported by Österreichisches Kulturforum Berlin and follows six events, a symposium, two publications and over fifty new artist commissions in London from 2014 to 2016 thanks to the Austrian Cultural Forum. www.kakania.co.uk

About Kakania

There has been no one city's culture, at one singular time in modern history, more widely influential on contemporary thought than that of Habsburg Vienna a century ago. A time so densely constituted with intellectual revolution in fields as diverse as poetry, fiction, journalism, music, composition, philosophy, psychology, art … that it seems it can often only be evoked through a wistfulness that belies the melancholy, the energy and the seismic change that constituted it.

With Kakania, decidedly contemporary, avant-garde, original works of text and art are presented in an attempt to be as complex and genre testing as the works, and the people, they are responsive to. This is a project where the past, and our understanding of it, is not be refracted through historical analysis, but the creative process, and one that is utterly contemporary. Kakania is an opportunity for audiences to discover the Habsburg era in a wholly new guise, as our era.

A more beautiful, more fitting setting could not be found for Kakania than the house of Sigmund Freud during his last days in London, now a museum. The Freud Museum showed us the same generosity so many have around the Kakania project and we were allowed to commission five new works, each by a contemporary artist, each taking place in a different room of the house. It's very rare to be able to present works in such a rarified space, one curated so carefully, but also one that maintains a fluency that would us to walk nearly 60 people from room to room on a tour of performances.

We began with Emily Berry reading beautiful new poems appropriated from Sigmund Freud's beautiful correspondence before moving onto Tom Jenks new conceptual work on Otto Gross, read in the exhibition room, Eros around him. We then moved into Anna Freud's study, where the remarkable performance artist Esther Strauss was asleep on Anna's original couch. Esther had stayed up for a whole day to make herself tired enough to sleep, to dream in Anna's room. It was a mesmerising and unforgettable performance. We then moved downstairs where Dylan Nyoukis resurrected Raoul Hausmann in the dining room before Jeff Hilson finished the event, reading his Wittgenstein poems in the landing.

A major highlight for me, as the first Kakania had been, as a curator. To be able to work with such a calibre of artists, thanks to the Austrian Cultural Forum's generosity, and to launch our two new original Kakania publications too, it was a satisfying feeling. I've long wanted to perform or organise in the Freud Museum also in fact it was a motivation for me to develop Kakania to work in that space, having had a long relationship with Freud's text. In the light of these artists works, the museum became something new to me, and Im sure the audience too felt this was a special evening.

Thanks to Lili Spain for all her support. Pictures below by Wanda O'Connor.