An amazing experience, to continue my work with Tate Modern after a Talking Performance, to teach a six week course, each lesson in a different gallery, surrounded by the works being referred to. I had the privilege to share ideas, concepts, history and methodologies that cross both avant-garde writing and modern art, from Concrete poetry to Asemic writing, from Sound poetry to Collectives, from the Painted word to Poster art, to show how interlinked they are, how fundamental to both arts (even if one has embraced the theoretical, emotional, social and political developments of the latter 20th and early 21st century, and the other hasn't). The course was global and allowed me to explore further than ever before the profound reasons behind most of the innovation so definitional to the work I am most excited by. We even had a session in the Tate stores and I was able to bring out original artworks / poems by Henri Michaux, Christian Dotremont, Karel Appel, Cy Twombly, RB Kitaj, Jenny Holzer, Tom Phillips, Ian Hamilton Finlay and others who have influenced me so much. The course was attended by particularly generous and sophisticated artists, poets, book makers and people in advanced study, so it was a engaged, full of new works and ideas and really generously supported by an brilliant curatorial staff at Tate Modern, led by Joseph Kendra. Really a pleasure to do, I gained much from the weeks and a privilege to share those hours in Tate Modern with fellow artists. www.stevenjfowler.com/alanguageart
Videos from Kettle's Yard talk on Henri Gaudier-Brzeska's the Wrestlers
An amazing night in Cambridge with Jenny Powell, Sarah Turner and Lynn Nead www.stevenjfowler.com/thewrestlers
Reading at Kettle's Yard, before Gaudier-Brzeska
What a remarkable experience, to read at Kettle’s Yard in Cambridge, this past May 13th, to share a panel with Dr. Sarah Victoria Turner and Professor Lyn Nead, to read before the original The Wrestlers relief by Henri Gaudier-Brzeska and to be welcomed to speak about my first love, wrestling, the sport, as a lifestyle and practise. I had long looked forward to this event, building as it did from my previous collaboration with Sarah for the tate online, where I had the chance to write original poems in response to the relief. www.stevenjfowler.com/thewrestlers
I was given such a generous welcome by Dr.Jenny Powell, who had curated the exhibition of Gaudier-Brzeska’s work, and everytime I see Lyn, who is as an extraordinary thinker as she is a person, we are talking about our shared love of fight sports. Our wide ranging discussion covered the specifics of the relief itself but also wider historical context, with Sarah leading the way with an insightful talk. I mainly focused on the actual technique being shown in the relief and had a small impromptu demonstration on myself, before ending the night with a reading in the galleries themselves. A really memorable night.
Kettle's Yard: May 13th - on Henri Gaudier-Brzeska's the Wrestler's
So delighted to be reading & talking at the beautiful Kettle's Yard, alongside Sarah Victoria Turner and Lynda Nead, about the Wrestlers, the relief by Henri Gaudier-Brzeska, that has been a real inspiration for me since I wrote about it a few years ago. May 13th in Cambridge.
http://www.kettlesyard.co.uk/events/modern-art-dance/
"An evening talk and performance exploring Gaudier-Brzeska and modern artists’ engagement with wrestling and sport. Join Gaudier-Brzeska expert, Dr Sarah Victoria Turner (Paul Mellon Centre) and poet and trained wrestler Steven Fowler. Art historian Professor Lynda Nead (Birkbeck) will chair the event. A viewing of the exhibition and glass of wine will follow the talk."
The Wrestlers for the Tate
Happy to say my commission for the Tate has now been published online, as part of their In Focus series and thanks to the amazing work of Dr Sarah Victoria Turner, who has curated an extensive response to the 1914 Henri Gaudier-Brzeska plaster relief The Wrestlers, of which my work is only a small part.
There are ten poems, 9 for each cast of the relief and 1 for the original, as well as two short essays, one on the wrestling depicted in the piece and another on Ezra Pound, who was a close friend of Gaudier-Brzeska and a conduit between his work and my response.
Sarah Turner’s remarkable work on this project is immense, well worth checking out
“The large plaster relief Wrestlers was made in London by the French artist Henri Gaudier-Brzeska (1891–1915) at a time when he was forging a reputation as one of the most radical and innovative sculptors of his generation. Gaudier-Brzeska was killed fighting in the First World War, and his achievements slipped from view in subsequent decades. In the mid-1960s, however, curator Jim Ede had the relief cast in an edition of nine to help make Gaudier-Brzeska’s work better known, and he gave a cast to Tate.
This project explores the circumstances of the making of the relief and the posthumous cast. Drawing on material in the Tate Archive and early twentieth-century sports periodicals, it includes previously unexamined material about Gaudier-Brzeska’s interest in wrestling and asks new questions about representations of sport and physicality in modern art and poetry at the beginning of the twentieth century.”