A note on : Robert Sheppard's writing on Poetry and Collaboration

Robert on the right

Robert on the right

I hope this becomes a book. Robert Sheppard’s writing over the summer of 2020 on collaboration and poetry, in the UK, is timely, necessary and long overdue. I am biased as I’m featured and I obviously care about collaboration. But it is strange that so little has been written on the subject. Considering Robert’s standing as a poet and critic, and educator, it’s all the better he has done this work, eloquently, and with wit, and insight.

Robert has been a key influence upon the writing of multiple generations of poets in the UK. For my own part, he specifically influenced my sense of what place, space, biography could be within a complex poetry, he made me reconsider what poetics was and he allowed some light to be shone in the dark spaces where poets don’t make much and are proud of that - he has been prolific, for decades, and worked across the proper ways and means of poetry. I am one of very many who would say this kind of thing.

Finishing off his 14 part series on collaboration, he has concluded and provided a useful contents rundown. Posts include writings on my poetics of collaboration, the most comprehensive review of Nemeses, the second volume of my collaborations. In depth looks at my work on the page with Prue Chamberlain Bussey, and my work with Camilla Nelson, live and in print, with an appreciated nod to wrestling. I repatriate Robert’s concluding post here and enthuse that you should click through and read it all

Conclusion is here “This probably concludes my ‘Thoughts on Collaboration’. I think it is best that my remaining work on the theme is composed offline, for eventual publication as a critical article…. Only one final text to acknowledge, the extraordinary 500 page Poetic Interviews, edited and conducted by Aaron Kent, from Broken Sleep Books, 2019, in which Kent uses poems much as an interviewer uses questions - and various writers (I note SJ Fowler amongst them) reply with poems…. On a personal note, I am pleased to report that there are plans for Veer to republish both my collaborations with Bob Cobbing (which I talk about  here ). That’s a good way to end this rambling strand….

the Launch of Bill Griffiths collected poems 2 at Goodenough college

Announcing launch of Bill Griffiths' Collected Poems  (Vol 2)
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Launch of Bill Griffiths Collected Poems Vol 2


Reality Street published Bill Griffiths’ Collected Earlier Poems (1966-80) in 2010. Extending the account through the following decade, a new volume, Collected Poems & Sequences (1981-91), once again edited by Alan Halsey, collects poems and sequences from a prolific period in Bill's life that originally appeared in very small editions. The 426-page volume, publication of which was enabled by subscriptions from 120 supporters, also includes a section of uncollected or previously unpublished poems. The editor provides bibliographical and textual notes.
The book will be launched on Saturday 1st March at Goodenough College, Mecklenburgh Square, London WC1N 2AB. Selections from Bill's work will be read by poets Ken Edwards, Allen Fisher, Harry Gilonis, Alan Halsey, Mendoza, Geraldine Monk and Robert Sheppard. Copies of both Collected Poems & Sequences (1981-91) and Collected Earlier Poems (1966-80) will be on sale at a reduced price. The event starts at 7.00pm, readings at 7.30.

If you would like to come to the launch please reply to this message or email info@realitystreet.co.uk. The event is free, but you need to book your place in advance.

If you would like to review the new book, please use the same email address to request a review copy, or call 01424 431271.

For fuller information about the book, PLEASE CLICK HERE.

Thanks are due to Steven Fowler and the Enemies project for supporting the launch.

Collected Poems & Sequences (1981-91)
2014, 978-1-874400-65-3,  426pp, price £19 £15 at launch

 

Bill Griffiths
Bill Griffiths was a poet, Anglo-Saxon scholar, book designer, small press publisher, biker, pianist, archivist and social historian. 

His poetry came to prominence in the early 1970s, when he was associated with the small press poetry movement in London.

Later in his career he moved from London to North East England where he reinvigorated the study of the region’s dialect. He died in 2007 at the age of 59.

photo: Robert Cassel