EUROPOE : an online course on European Poetry

EUROPOE+cover+s%2Cmaller (1).jpg

EUROPOE - exploring 20th and 21st century European poetry www.poembrut.com/courses

An online course. Begins June 20th 2021, running for 7 weeks. £200. For booking, via paypal, please click here

The character of European literature remains a hotbed of innovation – a constant remaking of what we know poetry to be. This ambitious course seeks to introduce the English-language poet, or anyone captivated by a wide understanding of what poetry is, to the European tradition in all its richness.

Over the course of seven weeks, we will trace a line from the aftershocks of modernism, to the arrival of symbolism, futurism, surrealism, and more. We explore the constraints that emancipate in the OULIPO movement, the collaborative asemic poetry of the CoBrA group, the onset of conceptual poetry, the birth of Concrete Poetry, the emergence of Sound poetry, leading to the current movement of Performance Literature. We explore electronic poetry and digital literature, and vitally, we present what is happening now – with contemporary poets working in the 21st century.

We will also dip into the ‘grand’ post and pre-war literary poets across the continent, focusing in on their technique to inspire new works. From Mayakovsky to Akhmatova, Brodsky to Dragomoshchenko, Celan to Sachs, Brecht, Miłosz, Herbert, Szymborska to Różewicz, Ritsos to Elytis to Seferis, Popa to Jozsef, Salamun, Isou to Queneau, Cendrars, Pessoa. Müller, Ekelöf, Handke, Saariskoski. Alongside the dozens and dozens of contemporary poets, EUROPOE will situate the anglophone poet with roads into an often occluded European tradition that will hopefully last long into the future.

EUROPOE : a new online course on European Poetry

EUROPOE+cover+s%2Cmaller.jpg
15.jpg

An online course beginning January 23rd 2021, running for seven weeks. £200. 
All information & booking at 
www.poembrut.com/courses

The character of European literature remains a hotbed of innovation – a constant remaking of what we know poetry to be. This ambitious course seeks to introduce the English-language poet, or anyone captivated by a wide understanding of what poetry is, to the European tradition in all its richness.

Over the course of seven weeks, we will trace a line from the aftershocks of modernism, to the arrival symbolism, futurism, surrealism, and more. We explore the constraints that emancipate in the OULIPO movement, the collaborative asemic poetry of the CoBrA group, the onset of conceptual poetry, the birth of Concrete Poetry, the emergence of Sound poetry, leading to the current movement of Performance Literature. We explore electronic poetry and digital literature, and vitally, we present what is happening now – with contemporary poets working in the 21st century. 

We will also dip into the ‘grand’ post and pre-war literary poets across the continent, focusing in on their technique to inspire new works. From Mayakovsky to Akhmatova, Brodsky to Dragomoshchenko, Celan to Sachs, Brecht, Miłosz, Herbert, Szymborska to Różewicz, Ritsos to Elytis to Seferis, Popa to Jozsef, Salamun, Isou to Queneau, Cendrars, Pessoa. Ekelöf, Handke, Saariskoski.

Alongside the dozens and dozens of contemporary poets, EUROPOE will situate the anglophone poet with roads into an often occluded European tradition that will hopefully last long into the future... When the course finishes, an event and publication will consolidate that which everyone has produced. All info www.poembrut.com/courses

A note on : on EUROPOE by Andrew Hopkins

hopkinsreview.jpg

It natural to feel many of things one has done have been somewhat overlooked, but in the case of EUROPOE - an anthology of contemporary European poetry I edited in 2019 stevenjfowler.com/europoe - that is mostly my fault. It was intended as a compliment to my festival europeanpoetryfestival.com and not a comprehensive document in anyway. But it ended up being pretty ambitious, really bringing together a vast array of poets and poetries, from language to conceptual, visual, asemic and more. I feel quite proud of it, but putting it out very limited edition with Kingston University Press, who don’t really trade beyond the academic regions, was setting myself up for overlookedness. The poets in it seemed happy though. A few copies went out recently and one of the recipients was the excellent Cumbrian-based poet Andrew Hopkins, who wrote a really considered / considerable response or review, which is worth and a read and can be found andyhopkinspoet.wordpress.com/2020/07/08/europoe/