Published: Puebla Songs in Boto-Cor-De-Rosa Livros, Brazil

Sarah Rebecca Kersley, a British poet, quite remarkably, has started a bookshop and cafe in Bahia in Brazil with a focus on the contemporary and curation by Brazilian contemporary literature professor and critic Milena Britto, and adjoining the shop, has a beautiful online journal that publishes work in Portuguese, Spanish and English, and fortunately for me, the journal has now published one of my poems - Puebla Songs, part of a series I've written about violence and south america, written from a position of ignorance, but while I was travelling in the region.

Visit the poem here http://www.livrariabotocorderosa.com/index.php/2016/09/15/puebla-songs-sj-fowler/ and submit to the magazine too.

la dominate: a collaboration with Ariadne Radi Cor on Cordite

the last of the five collaborations published as part of my feature for Cordite magazine, this work with Ariadne Radi Cor came about from our time together in Venice as part of the Crossing Voices project. She is an incredible artist and filmmaker - a live writer, a calligrapher, a poet. Her speed and tone are very complimentary to my own in their difference and singularity. Im so glad our creative relationship has continued on into this year, and this work, to be published in its full form for an anthology about Crossing Voices is a true collaboration, with a suite of my poems written for the task having been rendered beautiful by Ari's talents. http://cordite.org.au/poetry/collaboration/la-dominate/

Cordite: a feature on collaboration for the Australian Journal

Cordite is one big publication out of Oz, and I was delighted to be asked to put something wide together for a special issue on collaboration. I adapted some words on collaboration itself, as it is as part of my practise and tied this into five excerpts from brand new, never before seen collaborations. They are all works I'm really excited to share, all part of a continuation of my work with others since the publication of Enemies. I'll be blogposting excerpts from these works one by one, but for now.

Here's the full issue: http://cordite.org.au/content/poetry/collaboration/

Here's the link to my article: http://cordite.org.au/guncotton/in-collaboration/

& from that "These five collaborations are no more or less representative of my overall collaborative output than any other five I could’ve chosen. Rather, I choose them, as I do my collaborators, because of a sense of who these people are and the creative and social energy they have exchanged with me. I write this in fact on a tour of the Scottish islands, writing new collaborations every day, to be read in the evenings, to small audiences on Orkney and Shetland. The collaborative process is ever in flux for me now, and so these five works also seem new to me, as though they were written this morning too.

Yet the work with Tom Jenks, ‘1000 proverbs’, was built over a year period or more – and readied by rapidly batted back and forth email – for publication as a separate book with Knives Forks and Spoons Press. Too, ‘40 feet’, is a poem where David Berridge and I tried to embrace the failure of encapsulation, writing 40 poems that were about themselves, over a 40 day period. ‘Samurai’, with Andrew Spragg, is new … begun this year and currently growing poem by poem as we both research a randomly chosen topic and warp it through our shared poetics. ‘La dominate’ was written and rendered artistically by Ariadne Radi Cor in Venice – both of us part of a collaborative project with a university there – as part of a project called Crossing Voices, one expertly curated by Alessandro Mistrorigo and James Wilkes. And ‘Oil’, with William Letford, was written for reading, for this current tour, and read in Aberdeen, Scotland on 15 July, 2014, after an exchange of stanzas lasting a few weeks. Our processes produce the content, and that’s where the joy is, in making sure a process is the thing of it all.
To date I’ve engaged in over 100 collaborations..."