The impetus for making new work is firmly on the process for me, Ive been explicit about this in interviews etc.., and so the impetus behind being part of a collective, like the Wildermenn, is in the collective process. Our first exhibition is in the past, it ran just under a week at the House gallery in Peckham, and speaking in strict creative terms, it was a joy. I shouldve done more, a lot was put on the other members, but the concepts we had originally, to make the gallery an environment, covered in detritus, centred by an immense beastly sculpture made of river mess, came to fruition, and it gave us an excuse to cross practises, as we had intended. On this side of things, it was a great success, it happened, and it is partly for the greater process anyhow, to continue on, forward, to be active in new uncomfortable realms. At times, on the practical side of things, it was too uncomfortable. Working exhibitions from the ground up in a city like London can be thankless, it can feel like it is all for yourself. We had a lovely special view, plenty of people, but it felt exhausted at times, the end of the year. Which it was. There'll be another Wildermenn exhibition in 2014, I am sure, and so many lessons that needed learning will be in effect. & the work remains. it speaks for itself, hopefully.