A note on : Poem Brut sharing day

Poem Brut is entering a new phase, trying to extend beyond just the live events and 3am magazine publications, into something more liminal but concentrated on the possibilities of each poet choosing their own form and method, as well as content, connected somehow to the project’s two real focuses - the mind and neurodiversity, and the possibilities of aberrant method (in light of the normal poetic tradition). This day was this happening - 15 poets together at rich mix, exchanging ideas, what we’re up to, sharing resources and considerations. Open ended, generous, electic, reflecting the genuine originality and difference of the people involved. It was just me pinging out invites to people to see if they were up for it, and then they came, and we chatted and that was it. But it was like what a course of study should be, i think. www.poembrut.com

A note on : Screening wormwood film at Whitechapel Gallery Cinema

Pretty heartening to sell out the whitechapel gallery cinema for the first screening of the film Tereza Stehlikova and I have made about willesden junction and 1000 other things. It was a really good night to show the film, the audience was generous. Watching a film i was in and around and a lynch pin of, arguably, but not feeling like its creator or filmmaker or writer, was wonderful. I was able to enjoy it objectively, admire Tereza’s achievement. It is a meditative, hypnotic, allusive, symbolic film. It flows with jarring imagery like the place it celebrates. We chatted after the screening with David Spittle about the film a little bit

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Thanks too to Gareth Evans, for hosting us, and Dave for the conversation

Published : The Car Giant - Sampson Low

Really happy to have a new short fiction pamphlet out with the brilliant Sampson Low publishers. You can pick one up here for the steal of 2 quid 50 or so. https://sampsonlow.co/2020/01/29/the-car-giant-sj-fowler/ The story is part of my ongoing collaboration with Tereza Stehlikova, WORM WOOD, and will be launched at the Whitechapel Gallery for the premiere of our film of the same name. It’s another chapter in that project which has taken on a myriad of forms, from exhibitions to performances, booklets and the cinema. The story itself is a meta-narrative about Tereza and I walking down the canal, and Tereza going missing, and destroying corporate city planning and giant robot cars

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A note on : BBC Radio 3, Ross Sutherland & Arthur Cravan

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I am very happy to be a small part of an amazing radio essay program, in ten parts, by Ross Sutherland and Melvin Rickarby, exploring the life and mythos of Arthur Cravan. Ross is extraordinary in podcast and radio broadcasting, as in all his works, I’ve known and worked with Ross for 8 years now, he really is a special human. https://www.bbc.co.uk/programmes/m000dj0k

I actually talked about Cravan back in May 2013, a lot, for a commission I did, with Ross actually, on tour, called Electronic Voice Phenomena. http://www.stevenjfowler.com/evp It was perhaps the first time the really raw and nihilistic dada folk had a serious and deep affect on me, and my urge to provoke people, occasionally, in proper context. I also think I’m in the program because I boxed and have written about boxing a lot.

I pop up a few times in the program I think, here and then, but especially in this boxing episode https://www.bbc.co.uk/sounds/play/m000dj0j

A note on : Dostoyevsky Wannabe launches, a small tour

My new book is imminent, one I laboured at for a long time, that brings together lots of material in an ambitious choose your own adventure collection exploring the mind / brain problem against the affect of prescription drugs on our age. More soon on that. For this book I have the pleasure of putting together three events in quick succession. All our free, please note the dates and come along, and find out more http://www.theenemiesproject.com/dostoyevskywannabe

Dostoyevsky Wannabe Celebration February Saturday 22nd 2020 : 7.30pm at Rich Mix, London

Dostoyevsky Wannabe : a literary event : February Sunday 23rd 2020 at Torriano Meeting House

Delusions of Grandeur : a literary event on the deluded February Tuesday 25th 2020 : 7pm - Museum of Futures

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A note on : The University Camarade V

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This was a really lovely night where 22 students from 7 unis from all over the country descended on east london to collaborate, begin friendships and connections, perform, be scared, be relieved and do something they’ll remember. It feels worthwhile, organising things like this, when they obviously mean a lot to those who do them, who are younger in their writing, and who are sometimes overlooked for the fact of being students of writing. Good also to see friends and colleages from york, edge hill, lincoln. / Some good performances on video https://www.writerscentrekingston.com/#/unicamarade20/

A note on : Streetcake Patron

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After judging their inaugural prize for experimental poetry last year I am very pleased to have been asked to be a patron of Streetcake Magazine and all the great work they’ve done and do to make space for organically innovative ways of writing, and supporting the young writers who do it. Who are genuinely made to feel outside and strange for writing in anyway that is not emotionally insightful or sentimental or self obsessed etc… sometimes. https://www.streetcakemagazine.com/ Here’s to trini and nikki

A note on : Korean Book Club - The White Book

Once more the Korean Cultural Centre in London asked me to lead a discussion on a contemporary Korean Book, this time the White Book by Han Kang. The bookclub actually took place at my uni, kingston, and was massively co-organised and led by Eugene Kim, an amazing academic at Kingston. The book is a dense, sad, allusive, complex, beautiful work and the students, staff and local folk who came along were open to taking it on at its deepest. Was a really resonant night https://www.writerscentrekingston.com/#/whitebook/

A note on : Neo futurism in Ambit

My work was included in an article by Astra Papachristodoulou in Ambit magazine http://ambitmagazine.co.uk/reviews/on-neo-futurist-poetics-by-astra-papachristodoulou worth a wide read as its complex legacy stuff but

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“Steven J Fowler has also produced a range of works that could be considered as Neo-futurist in some ways. Fowler’s work often examines the possible end of the Anthropocene as a moral intervention by an uncaring and non-personified universe. His engagement with animals in his The Guide To Being Bear Aware and The Rottweiler’s Guide to the Dog Owner provides a critique of anthropocentrism by placing emphasis on self-identity. The Internet has become a significant social laboratory for experimenting with the reconstructions of self – an experiment that can help or hinder our selfhood. Fowler explores this in his poem ‘Looper’ from The Guide To Being Bear Aware in a dark and humorous way:

         Maybe they look away
         because I’m ugly,
         like a lizard.
         Or because I live in my underwear.
         Or because of my fertility.
         Or because I can regenerate limbs.
         Or because I insist on tickling everyone.
         I’m a good lover though.

Formally, Fowler has explored technological innovation through his series of groundbreaking collaborations with material engineer, Thomas Duggan. My favourite piece of theirs is a recent collaboration in which Thomas Duggan and Steven Fowler printed a poem in silk fibroin, an entirely new biodegradable material developed using the very latest design technology. It’s one of these ideas that you see and wish had thought of first. Fowler’s poem ‘Silk fibroin’ is 3D poetry at its best – innovative and sustainable. The most fascinating part about it, is that its production involved a robot – yes – it was Duggan’s KUKA Robot that printed Fowler’s poem onto silk.”

A note on: English PEN fest VI at The Bishop, Kingston

This was the 6th time I’ve curated an event which aims to do no more that create something where there might be nothing, knowing our limitations in writing for and in celebration of, the writers at risk around the world whom English PEN supports, and whom each writer on this night wrote about. All the brilliant readings by Sara Upstone, Adam Baron, Paul Ewen, Sam Jordison and all are available online here

https://www.writerscentrekingston.com/#/pen20/

My piece was for the Sri Lankan writer Shakthika Sathkumara, whom you can find more about here https://www.englishpen.org/campaigns/sri-lanka-release-award-winning-writer-shakthika-sathkumara/ and his short story, which i discuss in my performance and write a response to, even a new version of, a further meta version of a meta story, is here to read in english http://dbsjeyaraj.com/dbsj/archives/65191

alexander frater 1937 – 2020

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https://www.3ammagazine.com/3am/alexanderfrater/ You cannot live a fuller life and come out kinder and wiser than my friend, Alexander Frater, who died just upon the new year, after a time of illness. With his passing we witness the departure of a true luminary in a grand generation of travel writers, based in the UK, who reinvented, or invented, what we now take to be travel writing. From Norman Lewis, Freya Stark, Bruce Chatwin and Eric Newby, to Jan Morris, Colin Thubron and Patrick Leigh Fermor – Alexander Frater was a light amongst them, and a key figure in this remarkable era, commissioning, inspiring and instigating many of his peers while editor at the Observer magazine in the 70s and 80s.

He was a brilliant, distinct stylist – a writers’ writer, crafting absorbing, truthful, droll and enthusiastic books on travelling the earth through the later half of the 20th century. Always full of insight and wit, his books are very often subtle in their complexity, drawing portraits beyond the characters within them, beyond the places, anecdotes and experiences, beyond details of Alex’s own life, to lure the reader into meditations on culture, history, birth, death, illness and writing itself.

He was perhaps best known for his book Chasing the Monsoon and I met him in India, in 2016, at a literary festival. I watched first-hand how revered he was for this work, and how surprised he was, and slightly discomforted, by the attention it brought him. In India his book still sells hundreds of copies a month, years after it was published. I watched Alex shine light on others as he was praised. His charisma, his distinct charm and verve, were evident from seeing him speak, but getting to know him I found he possessed the kind of measured, honest humility that was palpable, balanced with his marked intellect, which he wore lightly. He was a man who had travelled to, and written about, almost every single country on this planet, through warzones and dictatorships, tracing history across generations and wore this experience in his personality. It occurs to me that if travel grows the soul, well then that explains Alex.

It was only after we began to meet regularly, after India, in Alex’s home of Richmond, I discovered just how considerably he had travelled and written, meeting him after his years as chief travel writer at the Observer and a three time winner of the Press Awards travel writer of the year. He had done too much to know anyway. Even as poured over his books, reading them back to back and being stunned by their adventure and ambition, he was casually mention a trip to North Korea, Vietnam during the war, meeting Idi Amin in an airport. His behaviour was so unaffectedly generous, always interested in you and deflecting questions on his own work and life, that he altered those in his company, lifted them to his own indelible decency. His friendship meant the world to me, not just because his respect, forty years my senior, was hugely affecting, but because what Alex taught me is that you can learn to be calmer, more considerate, more decent, by proxy. We are the company we keep. We often are our friends, when our friendship with them is aspirational. Alex allowed me no choice in his company to be embarrassed into sincerity, attentiveness and thoughtfulness, lest i be embarrassed thinking what he thought otherwise. All this with a sense of humour that had you in stitches.

My favourite of his books is Tales from the Torrid Zone. In it Alex recounts much of his own remarkable life, being born in Vanuatu where his dad ran a hospital and his mother built its first school. Alex then travels the entire tropical regions of the planet, through civil wars in Africa to a leper colony. At times the book is mesmerising, an enormous achievement, where tropical heat, the only part of the earth to pass direct beneath the sun, alters consciousness, language and experience itself. It will forever remain one of my favourite books.

Once, after many months of meeting, he told me he had to cancel his planned trip that year to Vanuatu because he had fallen ill. You could not tell from his company. I promised him if he were to aim to travel to the island ten years from our first meeting – where he was born and his mother and father worked, and where he returned a church bell, made in Whitechapel, as a gift to the church, and where his surname was still known so keenly – I would travel with him, and write a book on his life. I said I would accompany him there and back. It’d be one way, he said. Though he told me the deal was a touching thing to offer, I now regret making the term a decade rather than a year.

He was one of the most extraordinary people I have ever met and as powerful an influence on those around him as I have witnessed. He was an ideal I had before I met him that I didn’t know I held until I saw it in him. I can’t help but feel in his passing, something more than his life is lost. That I am witnessing a generation of remarkable people pass by, of which we will not see the like of again. But this isn’t true, solipsism and idiocy on my part. It’s just because Alex was so immense, it feels this way.

Do read some of Alex’s books here and here

A note on : Tickets for Whitechapel Gallery premiere of Worm Wood film - Jan 30th

Please buy a ticket https://www.whitechapelgallery.org/events/tereza-stehlikova-and-steven-fowler-worm-wood/ Thu 30 Jan, 7pm

Film

A cinematic witnessing (63 mins, 2020) of London living through aberrant, awkward, ugly change, but mostly dying in the process. Filmed over the last half decade, exploring the overlooked aesthetic power of Willesden Junction, Wormwood scrubs, Kensal Green Cemetery and The Grand Union Canal, the film strives to see a closer place, alien, idiosyncratic and yet familiar. It enters into dialogue with its genius loci, capturing and preserving on camera and in word, before it is transformed beyond recognition by the notorious incoming Old Oak redevelopment. The film is part of an ongoing creative collaboration between poet Steven J Fowler and filmmaker Tereza Stehlikova, a project which also includes poetry publications, an exhibition and various public events.

A note on : English PEN Fest - January 14th in Kingston

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THE ENGLISH PEN WRITER-AT-RISK CELEBRATION EVENT
TUESDAY 14TH JANUARY 2020 - 7PM TO 9PM - FREE ENTRY
THE BISHOP KINGSTON 2 BISHOP'S HALL, LONDON, KT1 1PY

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Contemporary English writers present new works, each in tribute to a writer who is part of the English PEN Writer's at Risk programme, writers living under oppression around the world. http://www.englishpen.org/ (drawings by Gianluca Costantini)

Sam Jordison for Narges Mohammadi
Paul Ewen for Selahattin Demirtas
Sara Upstone for Dawit Isaak
SJ Fowler for Shakthika Sathkumara
Adam Baron for Ahmed Mansoor
James Miller for Nedim Turfent
Helen Palmer for Galal El-Behairy

Writers poets, novelists, playwrights and artists come together to continue English PEN's relationship with contemporary literature. Each of the British writers will present brand new poetry, text, reportage, performance on the day. The new works celebrate and evidence the struggle of fellow writers around the world, in solidarity. https://www.writerscentrekingston.com/pen20/

Please join English PEN You can join English PEN here http://www.englishpen.org/membership/join/ and if you are a writer, poet, artist, or someone who is passionate about defending our fundamental freedom of expression in the UK and around the world, please take the time to do so and become a part of the future of this extraordinary organisation.

Published : A Funeral for Work - new short fiction on Openpen

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Well happy to have new short fiction published by the brilliant openpen, edited by Sean Preston. I don’t share a huge amount of short fiction but after meeting Sean at a bookfair I had openpen in mind for writing something and this came out, i think leaning on some nouveau roman writers, but the playful ones like robert pinget.

check it please
https://www.openpen.co.uk/fiction-the-funeral-of-work-by-sj-fowler/

…… But now, the foreman stood to speech, silent, it need not to be murmured, let alone sung. It looms larger than a leviathan and he cannot wipe it out with tributes to Martine. Apel bites his nails in the shade as Alain represses applause.

‘So,’ the foreman begins, ‘here is…so very sad…the final…place for Martine.’ He gestures upward, to the factory rafters. ‘The factory, where we have given over our lives, where I raised my family,’ the painful hush like a winded bird, ‘has taken what was offered. And he’s dead. Poor Martine.’ Nothing more and Apel hoped that would indeed be all. The silence is perforated by the screaming of a grey gull diving into the river for fish, contaminated though they may be to humans, the gulls gut is long since lined with metals. ‘And I also want to say we must bring to a special individual in our midst. For exceptional service. Apel. Apel who showed who showed such…such care, such…’

‘Please,’ Apel interrupts. ‘Please stop. I don’t feel comfortable. It makes me uncomfortable.’

‘No, no. I must go on.’

‘I said no.’ Apel’s fist crashes into the table.

Hurriedly, the foreman goes on. ‘Apel showed a true sense of loyalty to the factory, to his fellow…’

Apel stands, says ‘Sponge’ and walks free of the foreman and the factory…………..

Published : poems in Conversations on Urban Forestry by Jo Gibbons

I am extremely fortunate and happy to have another chapter in my longstanding residency with J&L Gibbons out into the world, three new poems about TREES in a new publication - Conversations on Urban Forestry by Johanna Gibbons. https://jlg-london.com/

My poems, like all those I’ve written for this residency over five years, are language heavy, abstract, gestural, as they aim to elucidate language itself as a barrier or tool between the ideas of hands on work like landscape architecture, like the planting of trees, like the knowledge of trees and their affect on urban environments. The poems aim to be points of reflection and mediation to bring about, to those attentive to them, renewed attention to the ideas that this volume expounds and promotes wonderfully. This book is like all of Jo Gibbons work - lucid, erudite, convincing and necessary.

A note on : The Poetry Archive

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For some reason recently I’ve had a batch of emails about my page / CD on The Poetry Archive site. I did a recording of loads of my poems for them back in ages ago, I can’t remember, but was surprised and happy then to be asked to be one of the 500 or so poets on the site. I think it’s because this poem A RECIPE FOR PEACH MELBA https://poetryarchive.org/poem/recipe-peach-melba/ seems to have been text published on their site, and when I read it there, forgetting Id wrote it, it made me laugh and made me realise why my work doesn’t make many inroads into the middle stream. Anyway, have a listen to me reading a bunch of my poems here on my page https://poetryarchive.org/poet/s-j-fowler/

and the descriptor keywords on the peach melba poem are great

Published : GANGAN in print

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I was freaked out at how nice the print edition of the latest GANGAN magazine from austria is and was. A lot of the work is visual or conceptual or in english, as one would expected with the brilliant max hofler editing it, for edition 50 - the future of literature (Yea right https://verlag.gangan.at/lit-mag/die-zukunft-der-literatur/

Die Zukunft [der Literatur] Max Höfler (Ed.): The Future [Of Literature] bilingual, Paperback, 176 pp. ISBN 978-3-900530-50-1, € 9,90

GANGAN Lit-Mag #50 Taschenbuch #50 EN

Konstantin Ames | Thomas Antonic | .aufzeichnensysteme | Iris Colomb | Ann Cotten | Crauss. | Brigitta Falkner | Frédéric Forte | Steven J. Fowler | Natascha Gangl | Mara Genschel | D. Holland-Moritz | Zuzana Husárová | Maja Jantar | Benediktas Januševičius | Mark Kanak | Ilse Kilic | Barbi Marković | Robert Herbert McClean | Alexander Micheuz | Nick Montfort | Fiston Mwanza Mujila | Simona Nastac & Olga Stehlíková | Jörg Piringer | Tomáš Přidal | Robert Prosser | Stefanie Sargnagel | Bernhard Saupe | Clemens Schittko | Ulrich Schlotmann | Stefan Schmitzer | Martin Glaz Serup | Muanis Sinanović | Dieter Sperl | Ulf Stolterfoht | Kinga Tóth | Mathias Traxler

A note on : launching Beastings in Amsterdam

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i had a chance to see the Beastings album made by diamanda dramm of my poems, written for the purpose, launched in splendor in amsterdam this past dec 14th. i didn’t perform, but sat in the circle of musicians, led by diamanda, who played out the first half of the night, before there was a listening to the album, in darkness, for the second half.

as in 2018, the experience in holland, with my poems taken so seriously through diamanda’s playing and making of them was unusual for me. i had a chance to be on VPRO radio talking about them, not quite knowing what to say they were and realising how rare it is to be asked questions about my poems by people who have heard them. i had the chance to meet lots of new musicians too, alongside poets like chris cusack and nadia de vries and it was right what diamanda has made in this album was celebrated

https://prettypurgatory.bandcamp.com/album/beastings

A note on: Worm Wood trailer - a film with Tereza Stehlikova

I’m very excited that my film made with Tereza Stehlikova since 2015 will be premiered at Whitechapel Gallery on January 30th. A new blog too from Tereza on our last filming session, with pictures from this below https://cinestheticfeasts.com/2019/12/10/pirates-wormwood/

A note on : Literary Health at Writers Centre Kingston

Another really communal and generous WCK event, the final of the first term of our third year https://www.writerscentrekingston.com/literary

It featured 9 speakers, from backgrounds as diverse as anthropology and neuroscience, alongside poets and writers, all reflecting, obliquely on the notion of health and literature.

I read some poems, for the first time, from my new pamphlet Beastings, which is not meant to be shared alone but with a CD of the songs of the poems in the pamphlet https://prettypurgatory.bandcamp.com/album/beastings I read just three poems, tearing and licking pages but just reading calm calm